In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
The latest gossip of Teheran was retailed, and a few vague remarks were
made as to the politics of Europe. I was asked to feel the Imād’s pulse,
and did not fail to try both wrists, as I found if I did not do so I was
supposed not to know my business. This was hardly charlatanry, but merely
a deference to the prejudices of the place. After the usual tea and pipes
had been gone through we retired.
The man was still nailed to the post, surrounded by a gaping crowd of
villagers. He amused himself by cursing Pierson as “reis-i-seem” (“master
of the wire”) as we passed him. The Imād, however, unpinned him at
sunset, as he had promised.
The next morning the “Serrum-u-dowlet” called to return Pierson’s visit
to his father, and asked us to dine with him that evening, entreating us
to come in time for tea in the afternoon. The whole forenoon was occupied
in receiving visits from the personages of Kermanshah.
At five we repaired to the house of the “Serrum-u-dowlet.” We found him
sitting with his brother in a large talár, or archway, one side of which
was open to the air. The whole room was decorated in the strangest taste;
there were the usual mirrors and florid mural paintings; these in this
case were life-size full-length portraits of posture dancers and dancing
girls, and were in ancient costumes, having been painted fifty years
ago. The takhjahs in the walls were filled with chromo-lithographs in
very dubious taste; several odd chandeliers hung at various heights as
ornaments, some twenty pair of old carriage-lamps were stuck into staples
in the walls, and as many small cages stood about, each containing a
bulbul, or nightingale. What with the noise these birds made, and the
splashing of a fountain which played furiously in a basin of yellow Yezd
marble in the centre, it was difficult to catch what was said. Pipes were
brought, and a long desultory conversation ensued, in the course of which
our host’s guns, dogs, and miscellaneous property were exhibited and duly
admired.
The noise was deafening, and directly we had walked round the garden a
band of musicians, some twenty strong, made night hideous with their
strains and singing. Wine was now produced, and freely partaken of by
both brothers, and trays of sweetmeats were handed round and afterwards
placed on the ground around us. Spirits, in the form of arrack, the
strong coarse spirit of the country, were pressed on us, but we declined.
Our host and his brother, however, drank it like water.
On a whispered order being given to the servants four Susmani girls
and a buffoon now appeared. These commenced a kind of posture dance,
the buffoon singing and making remarks, which produced a good deal of
laughter from the host and his brother, but were unintelligible to me,
and simply disgusting, as Pierson told me, who _could_ understand.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account