In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
The girls were pretty in a way, brunettes with large eyes; their faces
were much painted, and they were fine girls; their ages were from twelve
to seventeen. Their dance had no variety, they spun round, the hands high
in air, while the fingers were snapped with a loud report. A very free
exhibition of considerably developed charms took place. Every now and
then the dancer would make what we call a cheese; then, standing with the
feet motionless, the body was contorted and wriggled, each muscle being
made to quiver, and the head being bent back till it almost touched the
ground; the fingers being snapped in time to the music; or tiny cymbals,
some inch in diameter, were clashed between the forefinger and thumb of
each hand. The musicians, who played continuously, kept up a sort of loud
chant the whole time. The girls now showed some skill as equilibrists,
balancing full glasses, lighted candles, etc., and an exhibition of
posturing was gone through. They stood on their heads and walked on their
hands; they then danced a scarf-dance.
[Illustration: FEMALE DANCERS AND EQUILIBRISTS.
(_From a Native Drawing._)]
We had not noticed that the buffoon had retired, but he now re-entered,
disguised in a remarkable manner. He seemed a figure some four feet high,
with a face huge and like a full moon. This was, in fact, carefully
painted on his bare abdomen, the whole surmounted by a gigantic turban.
He had constructed a pair of false arms, and, with a boy’s coat and large
girdle, he presented the effect of a dwarf with a huge round fat face;
his head, chest, and arms were hidden in the enormous white turban. The
face represented was one of intense and dismal stupidity, and his whole
appearance was most ludicrous; in fact, it was only on afterwards seeing
the man disrobe, that we made out _how_ it was done.
He danced in and out among the girls, who stood in a row snapping their
fingers and posturing: but what was our astonishment when we saw the
dismally stupid face _expand into a grin_, which became at length a
laughing mask; it resumed its dismal stupidity—it grinned—it laughed. The
musicians played and shouted their chant more and more loudly, and the
face of the figure assumed the most ludicrous contortions. We all were
unable to restrain our laughter, and the triumphant buffoon retired well
rewarded by the Serrum-u-dowlet. The four dancers now became rather too
personal in their attentions, and begged for coin. We gave them a few
kerans, but were glad when they retired on dinner being announced. We
both pronounced them monotonous and uninteresting.
After a heavy Persian dinner—much such a one as we had at Merand—we, with
some trouble, got away at eleven P.M. Our hosts seemed inclined to make
a very wet night of it; in fact, their frequent acceptance of cupfuls
of raw spirits from the hands of the dancers had made them see things
generally in a rosy light. They wept when we left!
Public-domain text, read in full here on John Shaqi.
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