In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
The top of the carpet should now be inspected; if the edging of cotton
at the top or bottom be blue with no white in it, the carpet is rubbish,
and merely a thing got up for sale, absolutely a sham. The edge or finish
should be either white cotton or black wool; the latter is by far the
best, but is seldom seen nowadays. The _all_-woollen carpets are mostly
made near Mūrghab, and by the wandering tribes of Fars; they are very
seldom exported, and are always of sad patterns, often very irregular.
In making a carpet, the women who weave it will often run out of
the _exact_ shade of wool used in some part of the pattern or even
ground-work; they will continue with _another shade_ of the same colour.
This has a curious effect to the European eye, but the native does not
look on it as a defect.
The value _in Persia_ of a carpet in the present day may, _if perfect_
(either new or old), be reckoned at from fifteen shillings to two pounds
a square yard. In the larger carpets nothing can be obtained under a
pound a square yard.
Of course there _are_ a few carpets which have been made to order for
great personages which are worth more than the price I have given,
but these are not easily obtained and only at _prix fou_. By the term
_carpet_, I mean what Persians call kali, that is, in contradistinction
to farsch. Kali is our idea of carpet, that is, a floor-covering, _having
a pile_.
Farsch means floor-covering generally, and may be “nammad,” or felt, or
“gelim,” a thin, pileless floor-covering of coarse pattern, and much used
in Europe as a _portière_; in these “gelim” white greatly predominates,
and they soon get soiled and dirty; they are only used in Persia by the
villagers and poor.
The farsch hamam-i, or bath carpet, is a finer species of gelim made
near Kermanshah; both sides are alike, the patterns are elaborate and
beautiful, and the colours very lovely, _but they fade_, being mostly
of aniline dye, and are harsh to the feel. Their only recommendation is
their extreme portability.
The nammad, or felts (carpets), are generally used by Persians to go
round the room and act as a frame to the carpet (kali), which occupies
the top and centre.
They are three in number for each room; two kanareh, or side pieces, a
yard to a yard and a half wide, and a sir-andaz, literally that which
is thrown over the head (of the apartment). The kanareh are from half
to two and a half inches in thickness, and are usually of a light-brown
or yellow-ochre colour, being ornamented with a slight pattern of blue
and white, or red and green, which is formed by pinches of coloured wool
inserted when the felt is made.
The best nammad are made at Yezd, and are often expensive; they cost
about thirty shillings a square yard, and will last a century; they are
two inches thick.
Nammad, however, are now getting out of fashion, for they will not stand
the wear produced by chairs, which are coming into common use among the
rich. Carpets are taking their place.
Public-domain text, read in full here on John Shaqi.
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