In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
I had a man-nurse for my children, one Abdul Hamid, by trade a gold
lacemaker, a native of Shiraz; he was the quietest and most humble of
little men—nearly a dwarf. I was told by him a curious incident in his
history. Marrying his cousin, a young and handsome Shirazi, she was not
long faithful to him; and his mother, who is usually the master-spirit
and guardian of her son’s honour in a Persian household, finding that the
lady’s amours were becoming notorious, at length informed her son; there
was unfortunately no room for doubt; the husband ran with his woes to his
mother and brothers-in-law, respectable artisans; one of these the same
evening brought some corrosive sublimate, and the girl’s own mother, her
mother-in-law, her brothers, and her husband compelled her to swallow a
fatal dose of the drug.
Although in a few days the affair was common bazaar talk, no notice was
taken of the matter, the thing being looked on as a natural ending to
the woman’s intrigue. I asked my man one day if the story were true; he
replied, “Oh yes, sahib, it was her fate,” and proceeded to inform me
that he was on the best of terms with the family of his late wife.
In the garden of Jahn-i-ma (my soul) is the grave of Rich the traveller;
he died in Shiraz when on his road home. Close to this garden, in a small
cemetery having a mud mosque, is the monolith covering the grave of the
poet Hafiz; it is a huge block of Yezd marble beautifully carved with
verses from the writings of the poet. The Yezd marble is very similar
in appearance to alabaster. It is a favourite place of resort of the
literary, who may be frequently seen reading the works of the poet, and
smoking or meditating over his tomb. Around him are buried many who look
on his works as religious and inspired writings; some, and the major
portion of educated Persians, simply consider Hafiz as an Anacreontic
dreamer, and his works the ways of wickedness made bright.
A mile off is the tomb of Saadi, another poet, the author of the moral
tales upon whose teaching the mental course of most Persians is guided.
The first story forms the keynote to this system, and explains the
otherwise mysterious course pursued by most Orientals, who usually
prefer the crooked to the straight. The tale is well known, and I may
be permitted to quote it from memory. All these “moral tales” are very
concise. It is as follows:—
Public-domain text, read in full here on John Shaqi.
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