In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
The costume of the Persians may be shortly described as fitted to their
active habits. The men invariably wear an unstarched shirt of cotton.
This is sewn with white _silk_, cotton as a sewing material being
unknown; it is often, particularly in the south of Persia, elaborately
embroidered about the neck. It fastens in front by a flap, having two
small buttons or knots at the left shoulder. It seldom comes below the
hips. There is no collar, and the sleeves are quite loose, and are
not confined at the wrist. The lower orders often have it dyed blue,
particularly the villagers; but the servant and upper classes invariably
wear a white shirt. Silk shirts used to be worn, but are now seldom seen
on men. Among the very religious, during the mourning month (“Mohurrim”),
the shirt is at times dyed black.
The “zerejumah,” or trousers, are of cloth among the higher classes,
particularly those of the military order, who affect a garment of
a tightness approaching that worn by Europeans. But the ordinary
“zerejumah” is of cotton, white or dyed blue, or at times red, cut very
loose, and exactly similar to the “pyjamas” worn by Europeans in India.
They are held up by a thin cord of red or green silk or cotton round the
waist, and the labouring classes, when engaged in heavy or dirty work, or
when running, generally tuck the end of these garments in under the cord,
which leaves their leg bare and free to the middle of the thigh.
The amplitude of these loose garments enables the Persian to sit without
discomfort on his heels, _his usual mode of sitting_, for chairs are only
used by the rich, great, or Europeanised; and it is a common thing for a
visitor, if on familiar terms, to ask to be allowed to sit on his heels,
as the unaccustomed chair _tires_ him.
Over the shirt and “zerejumah” comes the “alkalūk,” generally of quilted
chintz or print. This is a closely-fitting garment, collarless, with
tight sleeves to the elbow, whence to the wrist are a number of little
metal buttons; these are fastened in winter, and left open in summer.
Public-domain text, read in full here on John Shaqi.
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