In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
Rounders (a bastard form of it) are played by the Ispahan boys, and they
also play at a species of fives. Marbles are unknown, but I have seen
the primitive game of “bonse,” which is played by our boys with “bonses”
(large marbles), large pebbles being the substitutes for the bonses in
Persia, as they are with street-boys here.
Wrestling is in great favour; the gymnasia (Zūr Khana) are frequented
by the youth and manhood of all ranks, _who meet there on an equality_.
Wrestling bouts are common among the boys and youths on every village
maidān.
In each gymnasium (Zūr Khana, literally “house of force”) the
professional “pehliwan,” or wrestlers, practise daily; and gymnastics,
_i. e._ a course of attendance at a gymnasium, are often prescribed by
the native doctor. Generally an experienced and retired pehliwan acts as
“lanista,” and for a small fee prescribes a regular course of exercises.
Dumb-bells are much used; also a heavy block of wood, shield-shape,
some two feet by three, and three inches thick, with an aperture in the
middle, in which is placed a handle. The gymnast lies on his back, and
holding this in one hand makes extension from side to side; a huge bow
of thick steel plates, with a chain representing the string, is bent and
unbent frequently.
But the great and most favourite implements are the clubs (what we call
Indian clubs); these the professional athlete will use of great size
and weight; and after going through the usual exercises will hurl them,
together or alternately, to a great height, and unfailingly catch them.
The wrestling is carried on, as a rule, good-temperedly; but when done by
professionals for reward, awkward tricks are employed, such as suddenly
thrusting the fingers into the eye of the adversary, and others still
more dangerous.
As a preventive against these, the wrestler always wears knee breeches
of stiff horsehide, some of which are beautifully embroidered with blue
thread; all above the waist and below the knee being bare. A good deal
of time is, as a rule, lost in taking hold and clappings of hands, and
then generally the bout commences with one hand grasping the adversary’s,
while the other clutches the body. The object is not a clean throw, but
to make the knees of the opponent touch the ground, and consequently
agility tells more than strength and size. The pairs are always made with
regard to skill, size and weight being little considered.
The gymnasia are merely darkened rooms (for coolness), with a sunken ring
in the centre, where the wrestling takes place. The floor is nearly
always of earth only, to render falls less severe.
A Persian has no idea of the use of his fists. When a street-fight takes
place, the combatants claw and slap at each other, and end by clutching
each other’s “zūlf” (long love-locks, which most wear), or beards, or
clothing. Then comes a sort of wrestle, when they are generally separated.
Public-domain text, read in full here on John Shaqi.
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