Marchmont’s desire to be friendly was shown in an early recitation, when in a very inconspicuous way he supplied Wolcott with a date for the question in Greek history which the instructor had suddenly shot at him. To tell the truth, Wolcott was not entirely satisfied with this method of reciting. He meant to inform Marchmont that he preferred to answer his own questions without assistance. After the recitation, however, Laughlin presumed to take him aside and tell him in very plain language that it wasn’t a good plan to let fellows prompt him in class; it was against the rules and risky, and anyway didn’t pay in the long run. Wolcott thanked the giver of this unasked advice with cool politeness and head held high. And when, immediately after, Marchmont appeared at his elbow and invited him to “come up to the room for a few minutes,” he accepted with ostentatious alacrity, merely to show his disapproval of the liberty which the football player had taken. Marchmont’s very attractive quarters, on the second floor of a private house, were fitted up in unusually good taste. The occupant was indeed a very different fellow from Laughlin. It was evident that he had not spent his summers at manual labor, and his winters in hard study and close economy. Marchmont’s family belonged to the more pretentious circles of New York society. He himself had already been in several schools, had travelled more extensively than Wolcott, and spoke with an air of worldly experience and wisdom with which the new boy could not but be impressed. As Wolcott hurried home for the geometry lesson, for which he had meant to save two good hours, he was dismayed to find that his call had extended well into the second hour. The next day Marchmont made a return visit. On Lindsay’s table lay the mandolin which he had hardly touched since he entered school. Marchmont took up the instrument and lightly fingered the strings. “Has a good tone,” remarked the visitor. “Get it in Hamburg?” “Yes. Do you play?” “A little. I belong to the Mandolin Club. Play something.” He held out the mandolin to its owner, who took it with reluctance and with some clumsiness of touch, due rather to shyness than inability, drummed through one of the modern banjo airs which all amateurs inevitably learn. Marchmont nodded approval. “That’s good. Do you play by note?” “Yes, I think I can do better with the notes,” replied Lindsay, sinking back in his chair with obvious relief. “I don’t remember things very well.” “You ought to be in the Mandolin Club,” said Marchmont. He took up the mandolin and played over a few bars of the music that Lindsay had just performed—carelessly and with his thoughts evidently upon some other subject, yet with an ease and finish that called to Lindsay’s lips an exclamation of admiration.