In the Mayor's ParlourFletcher, J. S. (Joseph Smith)
General
In the Mayor's Parlour
Fletcher, J. S. (Joseph Smith)
Detective and mystery stories
Brent nodded his acquiescence and went back to his hotel. He was
thankful that there were few guests in the house--he had no wish to be
stared at as a principal actor in the unfolding drama. Yet he speedily
realized that he had better lay aside all squeamish feelings of that
sort; he foresaw that the murder of its Mayor would throw Hathelsborough
into the fever of a nine-days' wonder, and that his own activities would
perforce draw attention to himself. And there were things to be done,
and after he had breakfasted he set resolutely and systematically about
doing them. Tansley's office first--he made an arrangement with Tansley
to meet him at Wallingford's rooms that afternoon, to go through any
private papers that might be found there. Then his cousin's
office--there were clerks there awaiting instructions. Brent had to
consult with them as to what was to be done about business. And that
over, there was another and still more difficult task--the arrangements
for Wallingford's interment. Of one thing Brent was determined--whatever
Alderman Crood, as Deputy-Mayor, or whatever the Aldermen and
Councillors of Hathelsborough desired, he, as the murdered man's
next-of-kin, was not going to have any public funeral or demonstration;
it roused his anger to white heat to think of even the bare possibility
of Wallingford's murderer following him in smug hypocrisy to his grave.
And in Brent's decided opinion that murderer was a Hathelsborough man,
and one of high place.
It was nearly noon when he had completed these arrangements, and then,
having no more to do at the moment, he remembered the little newspaper
man, Peppermore, and his invitation to call at the _Monitor_ office. So,
as twelve o'clock chimed and struck from the tower of St. Hathelswide,
he walked up the narrow entry from the market-place, along which the
editor-reporter had shot the previous night, and, after a preliminary
reconnoitring of the premises, tapped at a door marked "Editorial." A
shrill voice bade him enter, and he turned the handle to find himself
inspecting an unusually untidy and littered room, the atmosphere of
which seemed chiefly to be derived from a mixture of gas, paste and
printers' ink. Somewhere beyond sounded the monotonous rumble of what
was probably an old-fashioned printing machine.
Public-domain text, read in full here on John Shaqi.
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