In the Morning Glow: Short StoriesGilson, Roy Rolfe
General
In the Morning Glow: Short Stories
Gilson, Roy Rolfe
Short stories; United States -- Social life and customs -- 20th century -- Fiction
Aunt Jane played the piano in the parlor. You could play, too—"Peter,
Peter, Punkin-eater," with your forefinger, Aunt Jane holding it in her
hand so that you would strike the right notes. But when Aunt Jane played
she used both hands. Sometimes the music was so fast and stirring that
it made you dance, or romp, or sing, or play that you were not a little
boy at all, but a soldier like Grandfather or George Washington; and
sometimes the music was so soft and beautiful that you wanted to be a
prince in a fairy tale; and then again it was so slow and grim that you
wished it were not Sunday, for the Sunday tunes, like your tight, black,
Sunday shoes, had all their buttons on, and so were not comfy or made
for fun. You could not march to them, or fight to them, or be a
grown-up man to them. Somehow they always reminded you that you were
only a pouting, naughty little boy.
The sound of the piano came out to you as you lingered by the table
where Lizzie-in-the-kitchen was making pies. You ran into the parlor
and sat on a hassock by Aunt Jane, watching her as she played. It was
not a fast piece that day, nor yet a slow one, but just in-between, so
that as you sat by the piano you wondered if the snow and sloppy little
puddles would ever go and leave Our Yard green again. Even with rubber
boots now Mother made you keep the paths, and mostly you had to stay in
the house. Through the window you could see the maple boughs still
bare, but between them the sky was warm and blue. Pretty soon the
leaves would be coming, hiding the sky.
"Auntie."
"Yes," though she did not stop playing.
"Where do the leaves come from?"
"From the little buds on the twigs, dearie."
"But how do they know when it’s time to come, Auntie Jane? ’Cause if
they came too soon, they might catch cold and die."
"Well, the sun tells them when."
"How does the sun tell them, Auntie?"
"Why, he makes the trees all warm, and when the buds feel it, out they
come."
"Oh."
Your eyes were very wide. They were always wide when you wondered; and
sometimes when you were not wondering at all, just hearing Aunt Jane
play would make you, and then your eyes would grow bigger and bigger as
you sat on the hassock by the piano, looking at the maple boughs and
hearing the music and being a little boy.
It was a beautiful piece that Aunt Jane was playing that March morning.
The sun came and shone on the maple boughs.
"And now the sun is telling the little buds," you said to yourself in
time to Aunt Jane’s music, but so softly that she did not hear.
"And now the little buds are saying ’All right,’" you whispered, more
softly still, for the bigger your eyes got, the smaller, always, was
your voice.
A little song-sparrow came and teetered on a twig.
"Oh, Auntie, see! The birdie’s come, too, to tell the buds, I guess."
Public-domain text, read in full here on John Shaqi.
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