In the Morning Glow: Short StoriesGilson, Roy Rolfe
General
In the Morning Glow: Short Stories
Gilson, Roy Rolfe
Short stories; United States -- Social life and customs -- 20th century -- Fiction
"Oh, it’s Captain Jinks," said Lizbeth, but softly, when she saw. Prone
on the battle-field lay the wounded Grenadier, his uniform gray with
service in the wind and rain.
"Captain!" you cried again, but he did not hear you. Then the Rag Doll
bent her face to his, in the twilight, though she could not speak. A
glimmer of recognition blazed for a moment, but faded in the Captain’s
eyes.
"He’s tired marching, I guess," said Lizbeth.
"’Sh!" you said. "He’s dying."
You bent lower to feel his fluttering pulse. You placed your ear to the
cross of honor, rusted, on his breast. His heart was silent. And so he
died—on the battlefield, his musket at his side, his heels together, his
little fingers just touching the seams of his pantaloons.
*Father*
Every evening at half-past six there was a sound of footsteps on the
front porch. You ran, you and Lizbeth, and by the time you had reached
the door it opened suddenly from without, and you each had a leg of
Father. Mother was just behind you in the race, and though she did not
shout or dance, or pull his coat or seize his bundles, she won his first
kiss, so that you and Lizbeth came in second after all.
"Hello, Buster!" he would sing out to you, so that you cried, "My name
ain’t Buster—it’s Harry," at which he would be mightily surprised. But
he always called Lizbeth by her right name.
"Well, Lizbeth," he would say, kneeling, for you had pulled him down to
you, bundles and all, and Lizbeth would cuddle down into his arms and
say:
"_Fa_-ther."
"What?"
"Why, Father, now what do you think? My Sally doll has got the measles
awful."
"No! You don’t say?"
And "Father!" you would yell into his other ear, for while Lizbeth used
one, you always used the other—using one by two persons at the same time
being strictly forbidden.
"Father."
"Yes, my son.
"The Jones boy was here to-day and—and—and he said—why, now, he said—"
"_Fa_-ther" (it was Lizbeth talking into _her_ ear now), "do you think
my Sally doll—"
It was Mother who rescued Father and his bundles at last and carried you
off to supper, and when your mouth was not too full you finished telling
him what the Jones boy said, and he listened gravely, and prescribed for
the Sally doll. Though he came home like that every night except Sunday
in all the year, you always had something new to tell him in both ears,
and it was always, to all appearances, the most wonderful thing he had
ever heard.
But now and then there were times when you did not yearn for the sound
of Father’s footsteps on the porch.
"Wait till Father comes home and Mother tells him what a bad, bad boy
you have been!"
Public-domain text, read in full here on John Shaqi.
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