In the open : $b intimate studies and appreciations of nature — John Shaqi
In the open : $b intimate studies and appreciations of natureKirkham, Stanton Davis
History
In the open : $b intimate studies and appreciations of nature
Kirkham, Stanton Davis
Natural history -- Outdoor books
At no other time is there such concerted singing among the
song-sparrows as in these first days of the arrival of any considerable
flocks. From bare fields and brown hedgerows arises this simple and
spontaneous expression of joy, a primitive invocation to the goddess
Spring, fresh and clear and innocent as the morning itself. As they hop
about among the dry weeds, one will now and then pick up a straw and
hold it meditatively a moment with some premonition of the nest.
Presently they will be flitting among the still leafless brambles and
briers with an air of secrecy and importance. Some bright morning in
March there comes to the listening ear the song of the purple finch--a
wild sweet strain with the abandon of gipsy music, which thrills with
its very wildness and unrestraint. Anon Phoebe arrives with dry
little voice and familiar swoop after the first incautious fly.
Every season has its characteristic song. More than all others is the
voice of the hyla, essentially springlike and to be associated with no
other time. For several days there has been an occasional desultory
chirp from the woods, when of a sudden, some clear evening, there comes
out of the stillness that wonderfully sweet piping of little frogs.
Fresh and ringing as child voices, it has, at a distance, a certain
rhythm, a soothing cadence, which lulls the ear like the musical patter
of rain-drops in summer showers. Put your ear close to one--if you can
find him--and the sound is deafening, so loud and shrill it pierces to
the very marrow. The small creature sits in some low shrub in the
swamp, grasping a twig on either side as with tiny hands, while it
inflates its air-sac from time to time and sings the love-song of its
race. Heard afar, how soft and pleasing are these answering calls of
the hylas which are the very voice of the evening itself.
About the time the hylas begin to sing in chorus, you may look for the
appearance of the leopard-frog. He is to be heard at midday in his pond
uttering a most deliberate and prolonged snore, evenly and smoothly
drawn out, as if his sleep were dreamless and content. Presently there
is an answering snore, full as deliberate and serene, from across the
pond, followed by long intervals of silence. Very different from this
somnolent song of the leopard-frog is the shrilling of garden-toads.
Not every one would recognize the solemn and dusty toad of the
flower-beds, that flops from under the feet in the dusk, in this
brighter colored creature, floating at full length in the shallow
water, his air-sac inflated before him like a parti-colored bubble. The
shrilling of toads fills the air; they are under a spell, a witchery,
which has set them all to chanting this single strain--high-pitched and
subdued--with a sort of mild frenzy.
Public-domain text, read in full here on John Shaqi.
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