From Germany’s regiments of triumphant treachery, advancing through Brussels, no glance of comprehension or compassion met the people’s wide-eyed gaze. Only one sentiment could be read in the eyes looking sternly upon them from under shining Prussian helmets—a vainglorious contempt for the race that had so sublimely resisted their unjust and inexorable demands. The scene, viewed from the standpoint of one bred in a country long since rid of barbarism, appeared strangely anachronistic and theatrical—like the blazing pageantry of a stage, briefly holding the attention of an enlightened community which would presently ring down the curtain and return to real and serious occupations. The leaders—young men, for the most part, of noble families; men whose brain and morals had been cramped, since infancy, into the narrow circumference of their eagle-topped helmets—sat their horses in the heroic pose of a stage Siegfried. Their polished armour and ornaments reflected heaven’s sun as meretriciously as do those of Wagner’s characters the glare of the footlights. Each one appeared inwardly inflated by a sense of individual world-power, by an intoxicating impression that in him was revived the spirit of conquering Rome—and, with it, the right to tread under his spurred foot the wan faces his absurdly proud glance surveyed. Then came the worn troops following on foot—they who had borne the brunt of conflict—devoid of ornament, trudging along at the horses’ heels, obedient offenders of the people who despised them; hoodwinked slaves, persuaded they were serving their country, while inflicting and enduring the tortures of hell merely to enhance imperial pride and save the despotic throne so long founded upon their blind submission. III