In the Prison City, Brussels, 1914-1918: A Personal Narrative — John Shaqi
In the Prison City, Brussels, 1914-1918: A Personal NarrativeTwells, J. H. (Julia Helen Watts)
History
In the Prison City, Brussels, 1914-1918: A Personal Narrative
Twells, J. H. (Julia Helen Watts)
World War, 1914-1918 -- Belgium -- Brussels; World War, 1914-1918 -- Personal narratives
In time all liberty was extinguished, and efforts were made even to
suppress the French language. Flemish, closely related to German,
and consequently offering a means of facilitating future control of
the country, was ordered to appear first on all public announcements
and documents, legal or other; also tram conductors were obliged to
announce the names of streets in Flemish. The privacy of homes was
invaded with or without excuse, while of course all correspondence,
even in the city, and any other writing, was subjected to the
severest censure.
The English language was looked upon as an affront to the enemy. Even
we neutrals were made to feel it objectionable to speak our native
tongue in public because of the Teuton hatred of England, for an
English word affected the invaders as a red rag does a bull. Had they
dared then to offend America, which would have forced them to feed the
Belgians themselves, they would no doubt have officially forbidden it.
VI
After the battle of the Marne, the incredible outcome of which
we only learned days later through secret outside sources, the
spirit of Brussels revived a little, and the people’s wonderful,
almost unreasoning, confidence became stronger than even before the
occupation. Gradually the city began to assume a more normal aspect;
certain cafés reopened and many shops, also street trams were run at
unsatisfactory intervals. But existence was constantly haunted by the
knowledge that every act and look was watched by the ubiquitous spy
in civil dress eagerly seeking an excuse to drag a citizen to the
Kommandantur. No one dared speak aloud of topics uppermost in the
minds of all, or betray in public by so much as a glance his knowledge
of that great victory which the Germans endeavoured to conceal. The
city walls became more universally papered with _affiches_ curtailing
liberty, or announcing penalties inflicted upon well-known citizens.
“_A la peine de mort_,” in enormous lettering that could be read
several yards away, frequently attracted crowds to read the names of
friends or prominent men condemned to death for such faults as later
on, when Germany was less confident of becoming the world’s master,
were punished by clement terms of imprisonment.
Public-domain text, read in full here on John Shaqi.
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