In the QuarterChambers, Robert W. (Robert William)
General
In the Quarter
Chambers, Robert W. (Robert William)
Quartier latin (Paris, France) -- Fiction
“Rex,” he began, “when I say that we are friends, I mean, for my own
part, that you are more to me than any man alive; and now I am going to
tell you my story. Don’t interrupt me. I have only just courage enough;
if any of it oozes out, I may not be able to go on. Well, I have been
through the mill. Clifford was right. They say it is a phase through
which all men must pass. I say, must or not, if you pass through it you
don’t come out without a stain. You’re never the same man after. Don’t
imagine I mean that I was brutally dissolute. I don’t want you to think
worse of me than I deserve. I kept a clean tongue in my head—always. So
do you. I never got drunk—neither do you. I kept a distance between
myself and the women whom those fellows were celebrating in song just
now—so do you. How much is due in both of us to principle, and how much
to fastidiousness, Rex? I found out for myself at last, and perhaps
your turn will not be long in coming. After avoiding entanglements for
just three years—” He looked at Rex, who dropped his head—“I gave in to
a temptation as coarse, vulgar and silly as any I had ever despised.
Why? Heaven knows. She was as vulgar a leech as ever fastened on a calf
like myself. But I didn’t think so then. I was wildly in love with her.
She said she was madly in love with me.” Braith made a grimace of such
disgust that Rex would have laughed, only he saw in time that it was
self-disgust which made Braith’s mouth look so set and hard.
“I wanted to marry her. She wouldn’t marry me. I was not rich, but what
she said was: ‘One hates one’s husband.’ When I say vulgar, I don’t
mean she had vulgar manners. She was as pretty and trim and clever—as
the rest of them. An artist, if he sees all that really exists,
sometimes also sees things which have no existence at all. Of these
were the qualities with which I invested her—the moral and mental
correspondencies to her blonde skin and supple figure. She justified my
perspicacity one day by leaving me for a loathsome little Jew. The last
time I heard of her she had been turned out of a gambling hell in his
company. His name is Emanuel Pick. Is not this a shabby romance? Is it
not enough to make a self-respecting man hang his head—to know that he
has once found pleasure in the society of the mistress of Mr Emanuel
Pick?”
A long silence followed, during which the two men smoked, looking in
opposite directions. At last Braith reached over and shook the ashes
out of his pipe. Rex lighted a fresh cigarette at the same time, and
their eyes met with a look of mutual confidence and goodwill. Braith
spoke again, firmly this time.
“God keep you out of the mire, Rex; you’re all right thus far. But it
is my solemn belief that an affair of that kind would be your ruin as
an artist; as a man.”
“The Quarter doesn’t regard things in that light,” said Gethryn, trying
hard to laugh off the weight that oppressed him.
“The Quarter is a law unto itself. Be a law unto yourself, Rex—Good
night, old chap.”
Public-domain text, read in full here on John Shaqi.
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