In the QuarterChambers, Robert W. (Robert William)
General
In the Quarter
Chambers, Robert W. (Robert William)
Quartier latin (Paris, France) -- Fiction
Hazing at Julien’s has assumed, of late, a comparatively mild form. Of
course there are traditions of serious trouble in former years and a
few fights have taken place, consequent upon the indignant resistance
of new men to the ridiculous demands forced upon them by their
ingenious tormentors. Still, the hazing of today is comparatively
inoffensive, and there is not much of it. In the winter the students
are too busy to notice a newcomer, except to make him feel strange and
humble by their lofty scorn. But in the autumn, when the men have
returned from their long out-of-door rest, with brush and palette, a
certain amount of friskiness is developed, which sometimes expends
itself upon the luckless “nouveau.” A harmless search for the
time-honored “grand reflecteur,” an enforced song and dance, a stern
command to tread the mazes of the shameless quadrille with an equally
shameless model, is usually the extent of the infliction. Occasionally
the stranger is invited to sit on a high stool and read aloud to the
others while they work, as he would like to do himself. But sometimes,
if a man resists these reasonable demands in a contumacious manner, he
is “crucified.” This occurs so seldom, however, that Clifford, on
entering the barn-like studios that morning, was surprised to see that
a “crucifixion” was in progress.
A stranger was securely strapped to the top rungs of a twenty-foot
ladder which a crowd of Frenchmen were preparing to raise and place in
a slanting position against the wall.
“Who is it that those fellows are fooling with?” he asked.
“An Englishman, and it’s about time we put a stop to it,” answered
Elliott.
When Americans or Englishmen are hazed by the French students, they
make common cause in keeping watch that the matter does not go too far.
“How many of us are here this morning?” said Clifford.
“Fourteen who can fight,” said Elliott; “they only want someone to give
the word.”
Clifford buttoned his jacket and shouldered his way into the middle of
the crowd. “That’s enough. He’s been put through enough for today,” he
said coolly.
A Frenchman, who had himself only entered the Atelier the week
previous, laughed and replied, “We’ll put _you_ on, if you say
anything.”
There was an ominous pause. Every old student there knew Clifford to be
one of the most skillful and dangerous boxers in the school.
They looked with admiration upon their countryman. It didn’t cost
anything to admire him. They urged him on, and he didn’t need much
urging, for he remembered his own recent experience as a new man, and
he didn’t know Clifford.
“Go ahead,” cried this misguided student, “he’s a nouveau, and he’s
going up!”
Clifford laughed in his face. “Come along,” he called, as some dozen
English and American students pushed into the circle and gathered round
the prostrate Englishman.
“See here, Clifford, what’s the use of interrupting?” urged a big
Frenchman.
Public-domain text, read in full here on John Shaqi.
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