In the Court of the Louvre were people enough and to spare. Some of them bowed to him; several called him to turn and join them. He lifted his hat to them all, as if he knew them, but passed on without recognizing a soul. The broad pavements were warm and wet, but the air must have been sharp to hurt his chest so. The great pigeons of the Louvre brushed by him. It seemed as if he felt the beat of their wings on his brains. A shabby-looking fellow asked him for a sou—and, taking the coin Rex gave him, shuffled off in a hurry; a dog followed him, he stooped and patted it; a horse fell, he went into the street and helped to raise it. He said to a man standing by that the harness was too heavy—and the man, looking after him as he walked away, told a friend that there was another crazy foreigner. Soon after this he found himself on the Quai again, and the sun was sinking behind the dome of the Invalides. He decided to go home. He wanted to get warm, and yet it seemed as if the air of a room would stifle him. However, once more he crossed the Seine, and as he turned in at his own gate he met Clifford, who said something, but Rex pushed past without trying to understand what it was. He climbed the dreary old stairs and came to his silent studio. He sat down by the fireless hearth and gazed at a long, slender glove among the ashes. At his feet her little white satin slippers lay half hidden in the long white fur of the rug. He felt giddy and weak, and that hard pain in his chest left him no peace. He rose and went into the bedroom. Her ball dress lay where she had thrown it. He flung himself on the bed and buried his face in the rustling silk. A faint odor of violets pervaded it. He thought of the bouquet that had been placed for her at the dinner. Then the flowers reminded him of last summer. He lived over again their gay life—their excursions to Meudon, Sceaux, Versailles with its warm meadows, and cool, dark forests; Fontainebleau, where they lunched under the trees; St Cloud—Oh! he remembered their little quarrel there, and how they made it up on the boat at Suresnes afterward. He rose excitedly and went back into the studio; his cheeks were aflame and his breath came sharp and hard. In a corner, with its face to the wall, stood an old, unfinished portrait of Yvonne, begun after one of those idyllic summer days. When Braith walked in, after three times knocking, he found Gethryn painting feverishly by the last glimmer of daylight on this portrait. The room was full of shadows, and while they spoke it grew quite dark. That night Braith sat by his side and listened to his incoherent talk, and Dr White came and said “Pleuro-pneumonia” was what ailed him. Braith had his traps fetched from his own place and settled down to nurse him. CHAPTER XI.