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IN THE SWEET DRY AND DRY
BY
CHRISTOPHER MORLEY AND BART HALEY
ILLUSTRATED BY GLUYAS WILLIAMS
DEDICATED TO G. K. CHESTERTON
MOST DELIGHTFUL OF MODERN DECANTERBURY PILGRIMS
FOREWORD
As far as this book is concerned, the public may Take It, or the public
may Let It Alone. But the authors feel it their duty to say that no
deductions as to their own private habits are to be made from the story
here offered. With its composition they have beguiled the moments of
the valley of the shadow.
Acknowledgement should be made to the Evening Public Ledger of
Philadelphia for permission to reprint the ditty included in Chapter VI.
The public will forgive this being only a brief preface, for at the
moment of writing the time is short. Wishing you a Merry Abstinence,
and looking forward to meeting you some day in Europe,
CHRISTOPHER MORLEY, BART HALEY.
Philadelphia, Ten minutes before Midnight, June 30, 1919.
TABLE OF CONTENTS
I. MYSTERY OF THE UNEXPECTED JULEP
II. THE HOUSE ON CARAWAY STREET
III. INCIDENT OF THE GOOSEBERRY BOMBS
IV. THE GREAT WAR BEGINS
V. THE TREACHERY OF MISS CHUFF
VI. DEPARTED SPIRITS
VII. THE DECANTERBURY PILGRIMS
VIII. WITH BENEFIT OF CLERGY
IX. THE ELECTION
X. E PLURIBUS UNUM!
XI. IT'S A LONG WORM THAT HAS NO TURNING
IN THE SWEET DRY AND DRY
CHAPTER I
MYSTERY OF THE UNEXPECTED JULEP
Dunraven Bleak, the managing editor of The Evening Balloon, sat at his
desk in the center of the local-room, under a furious cone of electric
light. It was six o'clock of a warm summer afternoon: he was filling
his pipe and turning over the pages of the Final edition of the paper,
which had just come up from the press-room. After the turmoil of the
day the room had quieted, most of the reporters had left, and the
shaded lamps shone upon empty tables and a floor strewn ankle-deep with
papers. Nearby sat the city editor, checking over the list of
assignments for the next morning. From an adjoining kennel issued
occasional deep groans and a strong whiff of savage shag tobacco, blown
outward by the droning gust of an electric fan. These proved that the
cartoonist (a man whose sprightly drawings were born to an obbligato of
vehement blasphemy) was at work within.
Mr. Bleak was just beginning to recuperate from the incessant vigilance
of the day's work. There was an unconscious pathos in his lean,
desiccated figure as he rose and crossed the room to the green glass
drinking-fountain. After the custom of experienced newspapermen, he
rapidly twirled a makeshift cup out of a sheet of copy paper. He poured
himself a draught of clear but rather tepid water, and drank it without
noticeable relish. His lifted head betrayed only the automatic
thankfulness of the domestic fowl. There had been a time when six
o'clock meant something better than a paper goblet of lukewarm
filtration.
Public-domain text, read in full here on John Shaqi.
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