In the swim : $b A story of currents and under-currents in gayest New YorkSavage, Richard
General
In the swim : $b A story of currents and under-currents in gayest New York
Savage, Richard
New York (N.Y.) -- Fiction
All day, Frederick Hathorn secretly tormented himself over the curt
answer, “Will be there. Vreeland.” There was much before the tortured
bridegroom to arrange. The mutinous Dickie Doubleday, phantom of
audacious and unrestful beauty, was now driving Mr. James Potter out of
his wits.
He longed for a “boat upon the shore and a bark upon the sea!” He had
learned that in some distant Afghan hole called “Swat,” there were
neither post-offices, telegraphs, banks, detectives, song and dance
theatres, nor any of the machinery of a “bastard civilization” which
the reckless Miss Dickie could work to ensnare or follow him.
“By Gad! Just the place! I’ll get a white shirt—brown myself up
like parched coffee, and turn into a Ghazi, or Dervish, or fighting
Mollah—or, any old thing. She is a hummer. Pray God, that some other
good-looking fellow will soon catch her ‘wandering eye.’ Her constancy
is an ‘abnormal feature’ of later development. This is the only time in
her life that she has stuck to a victim—for over three months. Other
fellows should help me bear the burden.”
There was all the details of Hathorn’s newly enhanced social state
to arrange. The Union and Metropolitan clubs were to be haunt of
Benedick—the married man. And—the war to the knife, the fight of Marius
and Sylla now lay before him.
There was Oakwood, his wife’s magnificent place at Ashmont, awaiting
its social _monture_. Her Imperious Ladyship Alida had ordered him to
go in for the pennant-bearing honors of Vice Commodore of the Ashmont
Yacht Club, and her beautiful schooner, “L’Allouette,” was awaiting his
practical hand.
A positive mandate for the best box at the Horse Show, and a royal
gallery box in the tiara-wearing tier of the Opera, were matters of
pressing urgency.
Hathorn was already “broken in” as a “general advance agent” and “heavy
man” for his wife’s “Great Moral Matrimonial Show,” and that lady,
with the coming Hathorn-Willoughby feud first in her mind, had brought
luggage enough for Cleopatra and all her nymphs on that record-breaking
voyage of splendor to the Cydnus.
All these and many more things busied the disgruntled Hathorn until
the hour set for the meeting with Vreeland. He had posted his wife and
her train away up to the Buckingham, for he felt, instinctively, that
the handsome groomsman was not just the party to linger around his
newly-enclosed sheepfold.
He had already discovered several shades of color in his rosebud not
visible to the ante-nuptial eye, and, moreover, he was hungry for news
of Elaine Willoughby and of her state of mind. He now saw the “firm’s”
interests seriously endangered.
There was the vastly profitable past business connection, and “Sugar,”
too, loomed up before him now as a vanishing pyramid of alluring
sweetness. He knew that the woman whom he had coldly left had been the
very spirit of his own wonderful success.
Public-domain text, read in full here on John Shaqi.
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