In the Tennessee mountainsCraddock, Charles Egbert
General
In the Tennessee mountains
Craddock, Charles Egbert
Mountain life -- Tennessee -- Fiction; Short stories, American; Tennessee -- Social life and customs -- 19th century -- Fiction
"'Twarn't 'Vander's deed!" Cynthia declared passionately. She
reiterated this phrase a hundred times a day, as she went about her
household tasks. "'Twarn't 'Vander's deed!" How could she prove that it
was not, she asked herself as often,--and prove that against his own
word?
For she herself had heard him acknowledge the crime. The new day had
hardly broken when, driving her cow, she came by the blacksmith's shop,
all unconscious as yet of the tragedy it had housed. A vague prescience
of dawn was on the landscape; dim and spectral, it stood but half
revealed in the doubtful light. The stars were gone; even the sidereal
outline of the great Scorpio had crept away. But the gibbous moon still
swung above the dark and melancholy forests of Pine Mountain, and its
golden chalice spilled a dreamy glamour all adown the lustrous mists
in Lost Creek Valley. Ever and anon the crags reverberated with the
shrill clamor of a watch-dog at a cabin in the Cove; for there was an
unwonted stir upon the mountain's brink. The tramp of horses, the roll
of wheels, the voices of the officers at the forge, busily canvassing
their preparations for departure, sounded along the steeps. The sight
of the excited group was as phenomenal to old Suke as to Cynthia, and
the cow stopped short in her shambling run, and turned aside into the
blooming laurel with a muttered low and with crouching horns. Early
wayfarers along the road had been attracted by the unusual commotion.
A rude slide drawn by a yoke of oxen stood beneath the great pine that
overhung the forge, while the driver was breathlessly listening to the
story from the deputy sheriff. A lad, mounted on a lank gray mare, let
the sorry brute crop, unrebuked, the sassafras leaves by the wayside,
while he turned half round in his saddle, with a white horror on his
face, to see the spot pointed out on which Jubal Tynes had fallen. The
wounded man had been removed to the nearest house, but the ground was
still dank with blood, and this heightened the dramatic effects of
the recital. The sheriff's posse and their horses were picturesquely
grouped about the open barn-like door, and the wagon laden with the
plunder stood hard by. It had been discovered, when they were on the
point of departure, that one of the animals had cast a shoe, and the
prisoner was released that he might replace it.
Public-domain text, read in full here on John Shaqi.
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