In the morning I got into the train for Chattanooga, leaving Coe
behind. On the platform I noticed two graceful girls, dressed in white
muslin, wide straw hats with white satin ribbon and sashes, white lace
mitts, and thick white veils; not so thick that I could not see that
they were brunettes, with hair as black as only grows under Southern
nights. The train was composed of two cars--the ordinary Southern
local--differing from a Jersey accommodation only in that it had still
more peanut shells and an added touch of emigrant-train and circus. At
one end sat a tall gentleman in a stovepipe hat, who had removed his
boots, and was taking his ease in blue woollen stockings. At the other
was a poor, pretty woman, with large, sad eyes, petting her emaciated
husband, who was dying of consumption. Just as the train started,
he had a terrible fit of coughing; now he leans his head upon her
shoulder, and she rests her cheek upon his forehead. Behind me, but
across the aisle, are the two young ladies in white muslin.
So we jangle on through the hot Southern June morning; and pretty soon
one of the girls in white comes over and takes the seat behind me. She
has thrown off her veil, and I assure you a more beautiful face I never
saw; it’s all very well to talk of a neck like a lily and cheeks like a
rose, and eyes
“Whose depths unravel the coiled night
And see the stars at noon----”
but when you really see them you fall down and worship the aggregation
whose inventoried details, in any novel, would excite weariness.
Meantime, her sister had stretched herself out upon the other seat,
pointing one dainty russet leather foot beneath the muslin, and
disposed her handkerchief across her eyes.
How to speak to this fair beauty so close behind me I know not; I can
almost feel her eyes in the back of my head; so near that I dare not
look round; I fear she may be another daughter of Judge Wilkinson’s.
And the train jangles on, and we are winding through green dense
forests, up to the mountains. I wait half an hour for propriety,
and then look around; I catch her deep eyes full, “bows on,” as it
were, her lips parted as if almost to speak, and I--shrink back in
confusion. I hear her give a little sound, whether a sigh or a murmur
I am not sure; but pretty soon I hear her struggling with her window.
This is my chance; and I rise and with the politest bow I know and
“permit me,” I seek to help her; but the sash is old and grimed and
the angle inconvenient. Finally I have to go around into her seat; and
leaning over her I get a purchase and the window goes up with a bang
and a cloud of dust that sets us both sneezing. “It is very hot,” I
say, standing with my hand upon her seat, irresolute.
“Do you know, I thought you were never going to speak?” she says.
I sit down on the seat beside her.
“I hate being unsociable in a railway journey; but, of course, I
couldn’t speak first. And now there’s so little time left,” she adds,
regretfully.
Public-domain text, read in full here on John Shaqi.
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