There are two things in the little city of Carácas that go back to the time when the Spanish empire made a simulacrum of the Roman round the world--one is the great round-arched Spanish bridge, spanning the deep arroyo on the mountain slope above the present town--useless now, for the earthquake clefts are deeper on either side than this gorge of the ancient river of the city, and have drained its stream away--and the other this great stone fortress in the centre of the present town, with walls eight feet thick, its windows like tunnels cut through to the iron unglazed casement--for this was the only house that was left standing on the evening of the great earthquake; and so the modern city clusters timidly about it, its houses a modest one- or double-story, and, on the clay slope where the older city was, the cactus grows, and the zenith sun burns the clay banks red, and the old “gold-dust road,” over the Cordillera to the sea, now but a mule-path of scattered cobble-stone, winds lonely and narrow across the splendid bridge, among the great fissures that the earthquake left. And both bridge and house still bear the sculptured blazonry, the lions and the castles, and the pious inscription to the greater glory of the Virgin. Carácas lies in a plain, like the Vega of Granada, only green with palms as well as poplars; but through its rich meadows a turbid mountain torrent runs, and south, and west, and east are mountains; and north the mighty Silla lifts almost to the snows, half breaking the ceaseless east wind of the sea; trade-wind, it has been called in history; slave-wind were better. And by the little city is the palm-clad Calvareo, the little hill gay with orchids and shaded by tree-ferns, in whose pleasant paths the city people still take their pleasure (for the name of Calvary but means the view, not any sadness), and took their pleasure, eighty years since, when this story begins. And one evening, in the early years of the century, there walked alone, or with but a nurse for her dueña, a girl whose beauty still smiles down through sad tradition and through evil story, to lighten the dark streets of the old Spanish town, whose stones for many years her feet have ceased to press. And the memory of the old Casa Rey, the castle, all is hers; and the people of the town, the Caraqueños, still see her lovely face at the window; first at one, and then at the other, but mostly at the grated window in the round tower of the corner, that projects and commands the two streets; for there her sweet, pale face used to show itself, between the bars, and watch for the cavalry her noble husband led, returning from the wars. For then were wars of liberation, when freedom was fought for, not possession and estates; and the Marquis Sebastian Ruy del Torre led in all. And days and days she would watch for him returning, after battles won, she sitting with her golden needle-work at the corner window, her night-black hair