In the vine countrySomerville, E. Oe. (Edith Oenone)
General
In the vine country
Somerville, E. Oe. (Edith Oenone)
France -- Description and travel
This being out of the question, we struggled on towards St. Michel,
promising ourselves a bath of coolness and darkness under its lofty
roof, and more especially in its underground caverns, where inhabit the
celebrated mummies that have been preserved by the soil of the graveyard
from dissolution. We crossed the last and sunniest street, and passed
through a swing door into a large church, considerably hotter than
anything or anywhere outside, and with an atmosphere of an unknown and
stifling kind. We walked round it in silence, and, looking at each
other, as we fanned ourselves with guide-books, we felt that our last
chance of averting heat-apoplexy was to go underground at once and see
the mummies.
We found that the mummies lived in a place apart from the church, under
the _clocher_, as the beautiful spire is called, by which we had steered
our way, and we approached with feelings of unmitigated awe and
creepiness the doorway to which we had been directed by two little boys
who were playing cards in the shadow of a buttress. The door itself was
round another buttress, in a low and crumbling stone archway, and we
knocked timidly at it. It opened, and in a room of about the size and
shape of a bonnet-box we beheld, instead of mummies, a cheerful family
party at breakfast. We were about to retire, but the mother, wiping the
_vin ordinaire_ from her jovial mouth, assured us that she was ready to
show us the Cellar of the Mummies immediately. We squeezed past the rest
of the family, and saw that at their very feet a precipitous stone
staircase plunged into darkness.
Our guide picked up a candlestick of a pattern that we were destined to
see more of afterwards,--_i.e._ a long piece of wood with a tallow
_bougie_ erect at one end of it,--and after an anxious inquiry on our
parts as to whether there was any scent _là-bas_ in the cave had been
answered in the negative, we followed her into the abyss. It proved to
be a circular vault, made, like everything else in Bordeaux, of dusty
yellow stone, and, after a minute of despondency on the part of the
_bougie_, we saw, lining its walls, a dismal array of little brown
figures, propped on end behind a low wooden rail.
The guide advanced with alacrity to her task.
‘Behold, mesdames, the celebrated mummies of St. Michel’--
She paused, and flourished the candle in the awful faces of a group of
objects who were just preserved from being skeletons by a ragged
covering of dusty leather which had once been flesh.
[Illustration: ‘BEHOLD, MESDAMES, THE CELEBRATED MUMMIES OF ST.
MICHEL.’]
‘_Voiçi la famille empoisonnée!_ Observe the morsel still in the mouth
of the little one! Mosh-rhume! _Hein?_’ She made a light-hearted attempt
at the English word, but seeing we looked bewildered, passed easily back
into French. ‘Mushrooms, mesdames. All the family are found dead
together!’
Public-domain text, read in full here on John Shaqi.
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