In the vine countrySomerville, E. Oe. (Edith Oenone)
General
In the vine country
Somerville, E. Oe. (Edith Oenone)
France -- Description and travel
It is difficult to realise in the Médoc that the best wine in the world
is made in places where there is no tall chimney or hideous range of
manufactories. All that one sees is a two-storey country-house, with
pointed towers at each end, standing in green vineyard slopes, with
somewhere in the background a group of inoffensive and often picturesque
houses, painted pink, or some other frivolous colour, and not taking up
as much room as the stables and yards at big houses in England. It is
the extraordinary independence of grapes that gives this simplicity in
wine-making. They do the whole thing themselves, only demanding to be
let alone; and not all the tall chimneys in England could coerce them
into fermenting a day faster than they choose, or could give them any
better flavour than their own laws decree.
We had only one specimen of what is commonly felt to be landscape, and
is spoken of as scenery, as opposed to mere contour, on our way to
Pauillac. It was at a place on the right bank of the river, where the
shore suddenly reared itself into cliffs of a sunny fawn colour, and
apparently of a texture that was eminently suited for house building; so
supremely, in fact, that the people of the place had not troubled
themselves to cart it away, but had come, like Mohammed, to the
mountain, and had blasted themselves out houses in it, and apparently
finished them off with their penknives, or teaspoons, or any other
implement that was convenient. Some people decorated the front of their
cliff very handsomely with carved balustrades and porches; others merely
tidied down the rock a little round the windows, and helped out the
angles here and there, and put chimneys on handy protuberances. It must
have its points as a system of living; when, for instance, the house is
crowded for a wedding or a dance, they can dig out a few more spare
rooms towards the front, and throw the stuff out of the windows. The
rock cuts as easily as wood, and becomes perfectly hard in the air; it
is absolutely ideal in all useful respects, and in colour is beautiful,
so cheerful and so tempered. We saw these tawny cliffs behind us for a
long time, while the boat made her way into the broader flood of the
Gironde. The sun made much of them as it sank, and their warm, friendly
faces looked still after us in the twilight, when the west was glowing
darkly, and the cold wind was forcing us to tramp to and fro in the
short span of the deck till we were giddy.
Public-domain text, read in full here on John Shaqi.
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