In the vine countrySomerville, E. Oe. (Edith Oenone)
General
In the vine country
Somerville, E. Oe. (Edith Oenone)
France -- Description and travel
Shutters in the Médoc are serious affairs, impregnable barriers that are
fastened irrevocably outside the windows, and admit neither air nor
light. Neither do they admit mosquitoes; but we had so far seen none
such, and we resolved to risk them, and sleep with the windows open. The
mosquitoes forbore--perhaps we were caviare to their countrified tastes,
or perhaps they missed the usual seasoning of garlic; but the sunshine
that flamed in our windows at some six of the Waterbury (I have not
mentioned before that my cousin is attached to a Waterbury watch by a
leather strap) had no scruples in the matter. To slumber with the Médoc
sun full on one’s face is an art that takes some learning, and the first
angry rift in the delicious sleep that French wool mattresses and
spring beds induce was broadened to a wide-awake torture by a series of
rasping, whistling screeches from the street below, that made us grind
our teeth, and remember every slate pencil that had ever squeaked on a
slate. It was a matter that required instant investigation, and it was
not a little startling to find a party of stonemasons perched like birds
upon a scaffolding exactly opposite our windows, manipulating monster
blocks of the creamy stone out of which they build everything in these
parts. They were sawing and shaping these symmetrical blocks down in the
street as easily as if they were cheese, and in time we became able to
bear that iron screech of the saws tearing their way through the gritty
stone; indeed, it now lingers in our ears as a memory inseparable from
sunshine, blue linen coats, and Pauillac. But the workmen on the
scaffolding remained always a difficulty; when we went out on to our
private balcony to hang up our sponges, or to throw the tea-leaves into
the gutter of an adjacent roof, it was embarrassing to have to lay bare
these domestic arrangements to an audience seated, seemingly, in the
sky, not fifteen feet away. But they were companionable people, and, if
they had not had a habit of walking over chasms on single planks, with
blocks of stone two feet square balanced on their heads, we should have
got quite fond of them.
When we had finished, with the help of a battalion of flies, our _petit
déjeuner_ of excellent _café au lait_, admirable butter, and sour bread,
we were conducted, at our own request, to the kitchen to interview
Madame, having while at breakfast made up from Bellows’ Dictionary all
the words under the headings of ‘vine’ and ‘grape’ with a view to the
conversation. Madame was a solid lady, built much on the lines of a
cottage loaf, full of years, of good and greasy living, and possessed of
an almost excessive repose of manner. She sat immutably in the kitchen
window, and kept a frugal eye on the cook and her handful of wood
embers, while she directed her household and read the _feuilleton_ in
her five-centimes Bordeaux paper.
[Illustration: MADAME.]
Public-domain text, read in full here on John Shaqi.
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