In the vine countrySomerville, E. Oe. (Edith Oenone)
General
In the vine country
Somerville, E. Oe. (Edith Oenone)
France -- Description and travel
footsore from the unaccustomed flagstones, and care-worn from the effort
to utilise the Underground return tickets that an ideally perfect
programme had induced us to take in the morning. In addition to these
usual cares, another more poignant anxiety fell to our lot. We were lent
a Kodak,--for the benefit of the unlearned it may be mentioned that the
Kodak is a photographic camera of the kind that is to the ordinary
species as a compressed meat lozenge to a round of beef,--and as neither
of us knew anything about it, it became necessary to learn its mechanism
in a fevered ten minutes, or to leave it behind. Ambition fired us to
the attempt, and having adjourned with the Kodak and an instructor to
the severely simple scenery of the gardens on the Thames Embankment, we
received there our first and only lesson. What its results were will
never be known to the public; a group of intoxicated ghosts lolling on a
bench in the depths of a spotted fog can be of little interest to any
one except the artists, and even to their indulgent eyes its charm is of
a somewhat morbid character.
After these agitations, the corner seats of a railway carriage at
Victoria had a restful luxury about them that was almost stagnation. The
consciousness of two portmanteaus registered to Bordeaux almost made up
for the cumbrous row of hand packages that squatted in the netting; and
the half-hour of waiting for the train to start was a period of soothing
inaction scarcely ruffled by the slow filling of the carriage to its
limit of five on each side, and merely moved to a languid enjoyment by
the inexorable determination of the latest comers, a bride and
bridegroom, to sit next to each other irrespective of all previous
arrangements of old ladies and their baskets. They had about them the
well-known power of making their innocent and well-meaning
fellow-creatures feel in the way and in the wrong, and the eyes of the
carriage sought the windows or the ceiling as if by word of command
when, after the settling down of glowingly new bags and rugs was
completed, the latest comers leaned back and gazed into each other’s
faces with an unaffected ecstasy, the fact that both wore gold-rimmed
spectacles imparting a sort of serious lustre to their mutual regard.
The gaze seemed to us to last most of the way to Dover, except at those
moments when a glance or two was given to their fellow-passengers, a
glance of almost compassionate wonder that people so uninteresting and
so superfluous should be alive. It gave us an instant of pleasure when
some time afterwards on board the boat we saw that the bride’s fringe
was blown into dejected wisps, and that her groom’s nose was blue and
his face pinched.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account