In the vine countrySomerville, E. Oe. (Edith Oenone)
General
In the vine country
Somerville, E. Oe. (Edith Oenone)
France -- Description and travel
We went on into a sort of _annexe_ of the church, into which they used
to shoot people through _oubliettes_ when they became superfluous, and
thence we scrambled out into the street again, and across to the grotto
of St. Emilion. Apparently the saint had not been able to find anything
above ground that combined privacy with excruciating discomfort, and
accordingly scratched out this rabbit hole a dozen feet below the rest
of the community, and lived there in damp and darkness for twenty or
thirty years. His furniture was limited. The light of a match showed a
bed cut in the wall, with a bolster of the same sympathetic description,
a stone block for a table, another for a chair, and a holy well in an
alcove. The old woman who had charge of the grotto struck another match,
and held it low in the alcove of the sacred well for us to see the dark
gleam of the water. It was more like a shallow pool than a well, and the
water lay still and perfectly transparent upon its yellow bed. Its
ancient nymph scooped up a tumblerful with the assurance that it was the
best in the world, and when we had satisfactorily tasted it, she lowered
her match and said archly, ‘_Et les épingles. Regardez les épingles,
mesdemoiselles._’
We regarded as desired, and saw lying at the bottom of the pool a small
collection of pins, some old and rusty enough to have fastened up St.
Emilion’s gown on wet days, others new and glittering. These, it was
explained by the old lady with many knowing side-glances at our
companions, were a means of fortune-telling peculiar to the sacred well.
Gentlemen and ladies who visited it were accustomed to drop two pins
into it, and if these fell so as to form a cross, then the thrower would
be married before the year was out; this was asseverated with chapter
and verse, and the testimony of brides and bridegrooms who had returned
there on their honeymoons. I searched silently and secretly in my inner
economy for a
[Illustration: ‘ET LES ÉPINGLES, MESDEMOISELLES.’]
pin; so, I perceived, did my cousin, but apparently without better
success than I. The chief props of a declining costume could not be
sacrificed to superstition, and our fortunes remain undivined to this
day.
Public-domain text, read in full here on John Shaqi.
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