In the vine countrySomerville, E. Oe. (Edith Oenone)
General
In the vine country
Somerville, E. Oe. (Edith Oenone)
France -- Description and travel
By the time we reached Angoulême it was quite dark, and we had fallen
into the sodden stupefaction of travel. The carriage was nearly empty,
and the lamp cast a distorted light upon the puckered faces of the old
lady and gentleman who were our only fellow-travellers, as their heads
nodded and rolled in anxious, uneasy slumber. The small stations became
more frequent, and we were drearily aware of the same routine at each:
the half-dozen lights of a village across the fields, the nasal bellow
of an unintelligible name, the thump of a box or two on the platform,
and finally a sound that we took at first for the bleat of a tethered
kid, but which we discovered to be the note of a small trumpet or horn,
wound by the guard as the signal for departure. It was only towards the
end of the journey that this implement had replaced the ordinary
whistle, and for about eight or ten stations we laughed at it; after
that the lament of the kid added itself seriously to the general gloom.
The last hour or two before Bordeaux would have been much harder to bear
but for a display of sheet lightning, the like of which we had never
seen before. The sudden beautiful flicker played hide-and-seek like a
living creature among the curtains of cloud, flashing about all the
points of the compass between south and east, or sometimes thrusting to
and fro across an opening, like glimpses of the rapiers in a giants’
fencing bout. It was under this mocking, elfish light that we first
sighted Bordeaux and its river, and realised that the time had come for
us to strap up our rugs, and say ‘pardon’ in our best French accent to
the old gentleman on whose feet we trod as we did so, and to drag our
stiff bodies forth into the electric glare of the station. We had
reached such a stage of fatigue and demoralisation that we should rather
have stayed in the carriage all night, and gone on with the old lady to
a place she called ‘Erin,’ in a fine Hammersmith twang. We should not
have cared much whether it proved to be the land of our birth, or Irun,
on the Spanish frontier, which we now believe to have been her
destination.
Public-domain text, read in full here on John Shaqi.
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