In the wake of the buccaneersVerrill, A. Hyatt (Alpheus Hyatt)
History
In the wake of the buccaneers
Verrill, A. Hyatt (Alpheus Hyatt)
Buccaneers; Caribbean Sea; West Indies -- Description and travel
Looking at these reminders of a bygone day, one can visualize the ships
of which they formed a part, can almost identify the craft beneath
whose soaring bowsprits these figures once gazed forth across the
tumbling, foam-flecked brine. Here, leaning against a cocoanut palm, is
a Roman legionary, his short sword broken at the hilt as though in some
hard-fought battle, his shield dented and bruised, and his wooden face
seamed and scarred. Faded, weather-beaten, and forlorn, he is still a
martial figure. He has fought more battles, has seen victory in more
hard-won fights than ever soldier of Cæsar,—battles against the
elements, struggles between lashing, storm-flung waves and puny
man,—and while in the end the sea was victorious, yet we know that the
stern-visaged warrior fought a good fight and bore the brunt of battle
always in the foremost rank, ever there with threatening falchion at
the bows. Massive, heroic he is, and we feel sure that in years gone he
looked proudly, defiantly upon the sea from some ship of war or
privateer with grinning ports along her sides.
Close by, coquettishly peeping from behind a pile of junk, is a very
different figure, a female form with doll-like, simpering face, long,
flowing hair, and clinging draperies. Upon her cheeks are still patches
of pink, as though she had but freshly rouged; her skirts and low-cut
bodice still are gaudy with red and yellow, and we can see that once
her wooden tresses were of raven hue. Looking at her, we can
reconstruct the ship she graced, we can see the bluff-bowed, wallowing,
honest merchantman, and we feel sure, could we but look upon the stern,
we should see, painted across her counter, “Polly” or “Betsy” or
perchance even “Mary Ann.”
Near this lady, with her fixed wooden smile that has withstood the
tempests of centuries, a sailor lad in glazed hat lurches drunkenly,
propped up by an iron post just as his living counterpart no doubt was
supported many a time after a glorious night ashore. Now his eyes are
fixed in an unwinking stare upon raven-haired Polly, while behind him,
with outflung arm, one shapely foot spurning a carven shield, poises a
Victory. A masterpiece she, albeit her wings are sadly clipped and
disrespectful insects have pitted her classic features with their
borings until she looks as though she had suffered from smallpox. But
the finely chiseled draperies, the perfectly proportioned, softly
rounded limbs speak eloquently of beauty long since faded, of expert
craftsmanship. All who love ships must pause before her in reverence,
for once she flew gracefully at the sharp prow of some famous
clipper-ship, a grayhound of the sea, a fabric such as never will be
seen again,—the very acme of Yankee shipbuilding skill. A craft with
sky-piercing masts, vast tapering yards, and acres of billowing canvas,
the clipper was the queen of transatlantic liners, and proudly she
flaunted the Stars and Stripes for all the world to see.
Public-domain text, read in full here on John Shaqi.
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