Authors, Russian -- Biography; Gorky, Maksim, 1868-1936; Russia -- Social life and customs
I was deeply grateful to him for those words, and when I was alone with
grandmother, I said to her, with a pain in my heart:
"Why do you come here? Why? Can't you see how they--".
"Ach, Olesha, I see everything," she replied, looking at me with a kind
smile on her wonderful face, and I felt conscience-stricken. Why, of
course she saw everything and knew everything, even what was going on
in my soul at that moment. Looking round carefully to see that no one
was coming, she embraced me, saying feelingly:
"I would not come here if it were not for you. What are they to me?
As a matter of fact, grandfather is ill, and I am tired with looking
after him. I have not been able to do any work, so I have no money, and
my son Mikhail has turned Sascha out. I have him now to give food and
drink, too. They promised to give you six rubles a month, and I don't
suppose you have had a ruble from them, and you have been here nearly
half a year." Then she whispered in my ear: "They say they have to
lecture you, scold you, they say that you do not obey; but, dear heart,
stay with them. Be patient for two short years while you grow strong.
You will be patient, yes?"
I promised. It was very difficult. That life oppressed me; it was a
threadbare, depressing existence. The only excitement was about food,
and I lived as in a dream. Sometimes I thought that I would have to run
away, but the accursed winter had set in. Snow-storms raged by night,
the wind rushed over the top of the house, and the stanchions cracked
with the pressure of the frost. Whither could I run away?
*
They would not let me go out, and in truth it was no weather for
walking. The short winter day, full of the bustle of housework, passed
with elusive swiftness. But they made me go to church, on Saturday to
vespers and on Sunday to high mass.
I liked being in church. Standing somewhere in a corner where there
was more room and where it was darker, I loved to gaze from a distance
at the iconastasis, which looked as if it were swimming in the
candlelight flowing in rich, broad streams over the floor of the
reading-desk. The dark figures of the icons moved gently, the gold
embroidery on the vestments of the priests quivered joyfully, the
candle flames burned in the dark-blue atmosphere like golden bees,
and the heads of the women and children looked like flowers. All the
surroundings seemed to blend harmoniously with the singing the choir.
Everything seemed to be imbued with the weird spirit of legends. The
church seemed to oscillate like a cradle, rocking in pitch-black space.
Public-domain text, read in full here on John Shaqi.
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