"Well, they cared more for closing the club than for seizing us; but were a man to go now, beyond doubt they would seize him." "But whither are ye going?" "We are going with a watchword of alarm; the clans send a fiery cross--" "Speak low, I beg thee!" "Yes, valiant Roderic." "True, true," interrupted Vasilkevich; "we are on the way to warn others, so farewell, or go with us." "I cannot." "Where wilt thou go?" "To Pani Helena's." "Farewell." "Till we meet again!" When he was alone, Gustav rubbed his hands, a smile of satisfaction lighted up his gloomy face for a moment. He was pleased with the closing of the club, for he ceased to fear that Helena, on learning of Yosef's decision, might wish to visit the club to see him there. His fears were well founded. Gustav remembered that despite prayers and arguments he had barely, by the promise of bringing Yosef to her lodgings, been able to restrain her from this improper step. Now he had no cause for fear. After a while he pulled the bell at the widow's dwelling. "How is thy mistress?" asked he of the servant girl. "She is well, but walking in the room and talking to herself." Gustav entered. Pani Helena's dwelling was composed of two narrow chambers, with windows looking out on a garden; the first chamber was a small drawing-room, the second she used as a bed-chamber, which Gustav now entered. The upper part of the window in the bed-chamber was divided by a narrow strip of wood from the lower part, and had colored panes arranged in the form of a flower, blue and red alternately. In one corner stood a small mahogany table covered with a soft velvet spread. On the table stood two portraits; one in an inlaid wooden frame represented a young man with a high forehead, blond hair, and handsome aristocratic features,--that was Potkanski; the other was Pani Helena. On her knees was her little daughter dressed in white. Before the portraits lay a garland of immortelles entwined with crape and with a sprig of dry myrtle. At the opposite end of the room, between two beds divided by a narrow space, was a small cradle, now empty, once filled with the twittering and noise of an infant. Its cover, colored green by the light of the panes, seemed to move slightly. One might have thought that a little hand would be thrust out any moment, and a joyous head look at its mother. Silent sadness was in the atmosphere of the place. The leaves of the acacia which looked in through the window were outlined darkly on the floor, and, moved by the wind, yielded to the quivering light and returned again. Near the door was a small statuette, representing the angel of baptism with hands extended as if to bless; at its feet was a holy-water pot.