Inchbracken: The Story of a Fama ClamosaCleland, Robert
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Inchbracken: The Story of a Fama Clamosa
Cleland, Robert
Historical fiction; Scotland -- Fiction
How the poor seem to thrive and bloom and flourish into ripe and
hearty old age in those houses with their turf and stone walls! vying
in health and gaiety with the lusty house leek that ridges the roof
thatch! Can it be that they are made of another clay from those who
walk on planked floors, and shiver at every draught that sifts through
an ill-adjusted casement? Mary was no hothouse plant: her health was
good, and she had always spent much of her time out of doors, careless
of weather; but the clammy dampness and closeness of the little
cottage rooms oppressed her, and she now drank in the pure clear air
of the hills with thirsty content.
The swiftly passing waters beneath the bridge, were a darker brown
after the rain, and spotted with patches of white foam, and they sung
with a low continuous movement as they slid over the rocks and broke
on the piers of the arch. Down the stream on a grassy flat the village
women were spreading out their little heaps of wet linen fresh wrung
from the stream, to bleach in the sun. Farther on a few cattle had
come down to drink; and beyond that, cottage roofs and palings closed
in the view.
In the village street the grey shadows of the cottages alone broke the
monotony of the deserted road, till as she looked a figure issued from
the door of the inn, and slowly came towards her. The distance was too
great to enable her to identify the person; yet some vague
association, indefinite but altogether pleasant, was called up by the
gait and set of the shoulders as he approached, and added a new chord
of feeling which filled up the harmony of the peaceful scene. The
breeze flitting through a neighbouring wood came laden with a spicier
fragrance of resinous pine, and the hum of vagrant bees mixed with the
melody of babbling waters, and all the music of all the sunny mornings
she had ever known came back on her with a mysterious gladness as she
watched the approaching stranger. He was coming nearer, however, and
she turned her head till he would pass.
The gentleman came forward smoking an early cigar, and likewise
enjoying the quiet beauty of the morning. The view looking up the glen
was wilder than in other directions. About a mile above the village
the woods ended, and the shoulders of the hills swept down into the
ascending valley in breadths of green pasture and brown and purple
moor, while the jagged outline of the more distant hills, bounded in
the background a broad bank of grey which stood sharply out against
the transparent horizon.
The steep ascent of the old-fashioned bridge, and its brown stone
parapet, picked out in all the sunlit greens and yellows of moss and
wall rue, made a bold foreground to the picture, and the sable-clad
figure of Mary Brown on the summit, gave life and purpose to the
whole.
The gentleman ascended the bridge. Mary's back seemed not unfamiliar
to him, but it was only on casting a side-long glance in passing that
a recognition became possible.
'Mary Brown!'
Public-domain text, read in full here on John Shaqi.
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