To deal with my own, however, I call it goblin, because an odd
aspect of the quaint in it yet never quite achieved the picturesque.
Grotesque, probably, is the truer word, for everywhere I noticed, and
for the first time, this slight alteration of the natural due either
to the exaggeration of some detail, or to its suppression, generally,
I think, to the latter. Life everywhere appeared to me as blocked
from the full delivery of its sweet and lovely message. Some counter
influence stopped it--suppression; or sent it awry--exaggeration. The
house itself, mere expression, of course, of a narrow, limited mind,
was sheer ugliness; it required no further explanation. With the
grounds and garden, so far as shape and general plan were concerned,
this was also true; but that trees and flowers and other natural
details should share the same deficiency perplexed my logical soul, and
even dismayed it. I stood and stared, then moved about, and stood and
stared again. Everywhere was this mockery of a sinister, unfinished
aspect. I sought in vain to recover my normal point of view. My mind
had found this goblin garden and wandered to and fro in it, unable to
escape.
The change was in myself, of course, and so trivial were the details
which illustrated it, that they sound absurd, thus mentioned one by
one. For me, they proved it, is all I can affirm. The goblin touch
lay plainly everywhere: in the forms of the trees, planted at neat
intervals along the lawns; in this twisted ash that rustled just behind
me; in the shadow of the gloomy wellingtonias, whose sweeping skirts
obscured the grass; but especially, I noticed, in the tops and crests
of them. For here, the delicate, graceful curves of last year’s growth
seemed to shrink back into themselves. None of them pointed upwards.
Their life had failed and turned aside just when it should have
become triumphant. The character of a tree reveals itself chiefly at
the extremities, and it was precisely here that they all drooped and
achieved this hint of goblin distortion--in the growth, that is, of the
last few years. What ought to have been fairy, joyful, natural, was
instead uncomely to the verge of the grotesque. Spontaneous expression
was arrested. My mind perceived a goblin garden, and was caught in it.
The place grimaced at me.
With the flowers it was similar, though far more difficult to detect in
detail for description. I saw the smaller vegetable growth as impish,
half-malicious. Even the terraces sloped ill, as though their ends
had sagged since they had been so lavishly constructed; their varying
angles gave a queerly bewildering aspect to their sequence that was
unpleasant to the eye. One might wander among their deceptive lengths
and get lost--lost among open terraces!--with the house quite close
at hand. Unhomely seemed the entire garden, unable to give repose,
restlessness in it everywhere, almost strife, and discord certainly.
Public-domain text, read in full here on John Shaqi.
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