Moreover, the garden grew into the house, the house into the garden,
and in both was this idea of resistance to the natural--the spirit
that says No to joy. All over it I was aware of the effort to achieve
another end, the struggle to burst forth and escape into free,
spontaneous expression that should be happy and natural, yet the effort
for ever frustrated by the weight of this dark shadow that rendered it
abortive. Life crawled aside into a channel that was a cul-de-sac, then
turned horribly upon itself. Instead of blossom and fruit, there were
weeds. This approach of life I was conscious of--then dismal failure.
There was no fulfilment. Nothing happened.
And so, through this singular mood, I came a little nearer to
understand the unpure thing that had stammered out into expression
through my sister’s talent. For the unpure is merely negative; it
has no existence; it is but the cramped expression of what is true,
stammering its way brokenly over false boundaries that seek to limit
and confine. Great, full expression of anything is pure, whereas
here was only the incomplete, unfinished, and therefore ugly. There
was strife and pain and desire to escape. I found myself shrinking
from house and grounds as one shrinks from the touch of the mentally
arrested, those in whom life has turned awry. There was almost
mutilation in it.
Past items, too, now flocked to confirm this feeling that I walked,
liberty captured and half-maimed, in a monstrous garden. I remembered
days of rain that refreshed the countryside, but left these grounds,
cracked with the summer heat, unsatisfied and thirsty; and how the big
winds, that cleaned the woods and fields elsewhere, crawled here with
difficulty through the dense foliage that protected The Towers from
the North and West and East. They were ineffective, sluggish currents.
There was no real wind. Nothing happened. I began to realise--far more
clearly than in my sister’s fanciful explanation about ‘layers’--that
here were many contrary influences at work, mutually destructive of one
another. House and grounds were not haunted merely; they were the arena
of past thinking and feeling, perhaps of terrible, impure beliefs,
each striving to suppress the others, yet no one of them achieving
supremacy because no one of them was strong enough, no one of them was
true. Each, moreover, tried to win me over, though only one was able
to reach my mind at all. For some obscure reason--possibly because my
temperament had a natural bias towards the grotesque--it was the goblin
layer. With me, it was the line of least resistance....
Public-domain text, read in full here on John Shaqi.
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