At closer quarters you may think questioning things, or you may
think--nothing; probably the latter. You may wonder why something
continually expected does not make its appearance; and you may watch
for the evidence of ‘personality’ the general presentment of the man
has led you to expect. Disappointed, therefore, you may certainly be;
but I defy you to discover the smallest hint of mental disorder, and
of derangement or nervous affliction, absolutely nothing. Before long,
perhaps, you may feel you are talking with a dummy, some well-trained
automaton, a nonentity devoid of spontaneous life; and afterwards
you may find that memory fades rapidly away, as though no impression
of any kind has really been made at all. All this, yes; but nothing
pathological. A few may be stimulated by this startling discrepancy
between promise and performance, but most, accustomed to accept face
values, would say, ‘a pleasant fellow, but nothing in him much ...’ and
an hour later forget him altogether.
For the truth is as you, perhaps, divined. You have been sitting beside
no one, you have been talking to, looking at, listening to--no one.
The intercourse has conveyed nothing that can waken human response
in you, good, bad or indifferent. There is no George Isley. And the
discovery, if you make it, will not even cause you to creep with the
uncanniness of the experience, because the exterior is so wholly
pleasing. George Isley to-day is a picture with no meaning in it that
charms merely by the harmonious colouring of an inoffensive subject. He
moves undiscovered in the little world of society to which he was born,
secure in the groove first habit has made comfortably automatic for
him. No one guesses; none, that is, but the few who knew him intimately
in early life. And his wandering existence has scattered these; they
have forgotten what he was. So perfect, indeed, is he in the manners
of the commonplace fashionable man, that no woman in his ‘set’ is
aware that he differs from the type she is accustomed to. He turns a
compliment with the accepted language of her text-book, motors, golfs
and gambles in the regulation manner of his particular world. He is an
admirable, perfect automaton. He is nothing. He is a human shell.
II
Public-domain text, read in full here on John Shaqi.
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