The name of George Isley had been before the public for some years
when, after a considerable interval, we met again in a hotel in
Egypt, I for my health, he for I knew not what--at first. But I soon
discovered: archaeology and excavation had taken hold of him, though
he had gone so quietly about it that no one seemed to have heard. I
was not sure that he was glad to see me, for he had first withdrawn,
annoyed, it seemed, at being discovered, but later, as though after
consideration, had made tentative advances. He welcomed me with a
curious gesture of the entire body that seemed to shake himself free
from something that had made him forget my identity. There was pathos
somewhere in his attitude, almost as though he asked for sympathy.
‘I’ve been out here, off and on, for the last three years,’ he told
me, after describing something of what he had been doing. ‘I find it
the most repaying hobby in the world. It leads to a reconstruction--an
imaginative reconstruction, of course, I mean--of an enormous thing the
world had entirely lost. A very gorgeous, stimulating hobby, believe
me, and a very entic--’ he quickly changed the word--‘exacting one
indeed.’
I remember looking him up and down with astonishment. There was a
change in him, a lack; a note was missing in his enthusiasm, a colour
in the voice, a quality in his manner. The ingredients were not mixed
quite as of old. I did not bother him with questions, but I noted
thus at the very first a subtle alteration. Another facet of the man
presented itself. Something that had been independent and aggressive
was replaced by a certain emptiness that invited sympathy. Even in his
physical appearance the change was manifested--this odd suggestion of
lessening. I looked again more closely. Lessening was the word. He had
somehow dwindled. It was startling, vaguely unpleasant too.
Public-domain text, read in full here on John Shaqi.
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