The entire subject, as usual, was at his finger-tips; he knew all the
important men; and had spent money freely on his hobby. I laughed,
reminding him of his remark that Egypt had no attractions for him,
owing to the organised advertisement of its somewhat theatrical charms.
Admitting his error with a gesture, he brushed the objection easily
aside. His manner, and a certain glow that rose about his atmosphere as
he answered, increased my first astonishment. His voice was significant
and suggestive. ‘Come out with me,’ he said in a low tone, ‘and see
how little the tourists matter, how inappreciable the excavation is
compared to what remains to be done, how gigantic’--he emphasised
the word impressively--‘the scope for discovery remains.’ He made a
movement with his head and shoulders that conveyed a sense of the
prodigious, for he was of massive build, his cast of features stern,
and his eyes, set deep into the face, shone past me with a sombre gleam
in them I did not quite account for. It was the voice, however, that
brought the mystery in. It vibrated somewhere below the actual sound
of it. ‘Egypt,’ he continued--and so gravely that at first I made the
mistake of thinking he chose the curious words on purpose to produce
a theatrical effect--‘that has enriched her blood with the pageant of
so many civilisations, that has devoured Persians, Greeks and Romans,
Saracens and Mamelukes, a dozen conquests and invasions besides,--what
can mere tourists or explorers matter to her? The excavators scratch
their skin and dig up mummies; and as for tourists!’--he laughed
contemptuously--‘flies that settle for a moment on her covered face, to
vanish at the first signs of heat! Egypt is not even aware of them. The
real Egypt lies underground in darkness. Tourists must have light, to
be seen as well as to see. And the diggers----!’
He paused, smiling with something between pity and contempt I did not
quite appreciate, for, personally, I felt a great respect for the
tireless excavators. And then he added, with a touch of feeling in
his tone as though he had a grievance against them, and had not also
‘dug’ himself, ‘Men who uncover the dead, restore the temples, and
reconstruct a skeleton, thinking they have read its beating heart....’
He shrugged his great shoulders, and the rest of the sentence may
have been but the protest of a man in defence of his own hobby, but
that there seemed an undue earnestness and gravity about it that made
me wonder more than ever. He went on to speak of the strangeness of
the land as a mere ribbon of vegetation along the ancient river, the
rest all ruins, desert, sun-drenched wilderness of death, yet so
breakingly alive with wonder, power and a certain disquieting sense of
deathlessness. There seemed, for him, a revelation of unusual spiritual
kind in this land where the Past survived so potently. He spoke almost
as though it obliterated the Present.
Public-domain text, read in full here on John Shaqi.
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