Disturbed by these singular reflections, I moved away from the open window, closing it. But the closing did not exclude the presence of the Third. The biting night air followed me in. I drew the mosquito curtains round the bed, but the light I left still burning; and, lying there, I jotted down upon a scrap of paper this curious impression as best I could, only to find that it escaped easily between the words. Such visionary and spiritual perceptions are too elusive to be trapped in language. Reading it over after an interval of years, it is difficult to recall with what intense meaning, what uncanny emotion, I wrote those faded lines in pencil. Their rhetoric seems cheap, their content much exaggerated; yet at the time truth burned in every syllable. Egypt, which since time began has suffered robbery with violence at the hands of all the world, now takes her vengeance, choosing her individual prey. Her time has come. Behind a modern mask she lies in wait, intensely active, sure of her hidden power. Prostitute of dead empires, she lies now at peace beneath the same old stars, her loveliness unimpaired, bejewelled with the beaten gold of ages, her breasts uncovered, and her grand limbs flashing in the sun. Her shoulders of alabaster are lifted above the sand-drifts; she surveys the little figures of to-day. She takes her choice.... That night I did not dream, but neither did the whole of me lie down in sleep. During the long dark hours I was aware of that picture endlessly repeating itself, the picture of George Isley stealing out into the moonlight desert. The night so swiftly dropped her hood about him; so mysteriously he merged into the unchanging thing which cloaks the past. It lifted. Some huge shadowy hand, gloved softly yet of granite, stretched over the leagues to take him. He disappeared.