Then, with the passing of the weeks, it slowly stirred to life. It had
attacked unseen; its grip was quite tremendous; yet it could be neither
told, nor painted, nor described. It flamed up unexpectedly--in the
foggy London streets, at the Club, in the theatre. A sound recalled the
street-cries of the Arabs, a breath of scented air brought back the
heated sand beyond the palm groves. Up rose the huge Egyptian glamour,
transforming common things; it had lain buried all this time in deep
recesses of the heart that are inaccessible to ordinary daily life. And
there hid in it something of uneasiness that was inexplicable; awe, a
hint of cold eternity, a touch of something unchanging and terrific,
something sublime made lovely yet unearthly with shadowy time and
distance. The melancholy of the Nile and the grandeur of a hundred
battered temples dropped some unutterable beauty upon the heart. Up
swept the desert air, the luminous pale shadows, the naked desolation
that yet brims with sharp vitality. An Arab on his donkey tripped in
colour across the mind, melting off into tiny perspective, strangely
vivid. A string of camels stood in silhouette against the crimson
sky. Great winds, great blazing spaces, great solemn nights, great
days of golden splendour rose from the pavement or the theatre-stall,
and London, dim-lit England, the whole of modern life, indeed, seemed
suddenly reduced to a paltry insignificance that produced an aching
longing for the pageantry of those millions of vanished souls. Egypt
rolled through the heart for a moment--and was gone.
I remembered that some such fantastic experience had been mine. Put it
as one may, the fact remains that for certain temperaments Egypt can
rob the Present of some thread of interest that was formerly there.
The memory became for me an integral part of personality; something in
me yearned for its curious and awful beauty. He who has drunk of the
Nile shall return to drink of it again.... And if for myself this was
possible, what might not happen to a character of George Isley’s type?
Some glimmer of comprehension came to me. The ancient, buried, hidden
Egypt had cast her net about his soul. Grown shadowy in the Present,
his life was being transferred into some golden, reconstructed Past,
where it was real. Some countries give, while others take away. And
George Isley was worth robbing....
Public-domain text, read in full here on John Shaqi.
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