The present forgotten but the past supreme, I lost Reality. Our
room became a pin-point picture seen in a drop of water, while this
subterranean world, replacing it, turned immense. My heart took on the
gigantic, leisured stride of what had been. Proportions grew; size
captured me; and magnitude, turned monstrous, swept mere measurement
away. Some hand of golden sunshine picked me up and set me in the
quivering web beside those other two. I heard the rustle of the
settling threads; I heard the shuffling of the feet in sand; I heard
the whispers in the dwellings of the dead. Behind the monotony of
this sacerdotal music I heard them in their dim carved chambers. The
ancient galleries were awake. The Life of unremembered ages stirred in
multitudes about me.
The reality of so incredible an experience evaporates through the
stream of language. I can only affirm this singular proof--that the
deepest, most satisfying knowledge the Present could offer seemed
insignificant beside some stalwart majesty of the Past that utterly
usurped it. This modern room, holding a piano and two figures
of To-day, appeared as a paltry miniature pinned against a vast
transparent curtain, whose foreground was thick with symbols of temple,
sphinx and pyramid, but whose background of stupendous hanging grey
slid off towards a splendour where the cities of the Dead shook off
their sand and thronged space to its ultimate horizons.... The stars,
the entire universe, vibrating and alive, became involved in it. Long
periods of time slipped past me. I seemed living ages ago.... I was
living backwards....
The size and eternity of Egypt took me easily. There was an
overwhelming grandeur in it that elbowed out all present standards. The
whole place towered and stood up. The desert reared, the very horizons
lifted; majestic figures of granite rose above the hotel, great faces
hovered and drove past; huge arms reached up to pluck the stars and
set them in the ceilings of the labyrinthine tombs. The colossal
meaning of the ancient land emerged through all its ruined details ...
reconstructed--burningly alive....
It became at length unbearable. I longed for the droning sounds to
cease, for the rhythm to lessen its prodigious sweep. My heart cried
out for the gold of the sunlight on the desert, for the sweet air by
the river’s banks, for the violet lights upon the hills at dawn. And I
resisted, I made an effort to return.
‘Your chant is horrible. For God’s sake, let’s have an Arab song--or
the music of To-day!’
Public-domain text, read in full here on John Shaqi.
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