The effort was intense, the result was--nothing. I swear I used these
words. I heard the actual sound of my voice, if no one else did, for
I remember that it was pitiful in the way great space devoured it,
making of its appreciable volume the merest whisper as of some bird or
insect cry. But the figure that I took for Moleson, instead of answer
or acknowledgment, merely grew and grew as things grow in a fairy tale.
I hardly know; I certainly cannot say. That dwindling part of me which
offered comments on the entire occurrence noted this extraordinary
effect as though it happened naturally--that Moleson himself was
marvellously increasing.
The entire spell became operative all at once. I experienced both the
delight of complete abandonment and the terror of letting go what _had_
seemed real. I understood Moleson’s sham laughter, and the subtle
resignation of George Isley. And an amazing thought flashed birdlike
across my changing consciousness--that this resurrection into the
Past, this rebirth of the spirit which they sought, involved taking
upon themselves the guise of these ancient symbols each in turn. As
the embryo assumes each evolutionary stage below it before the human
semblance is attained, so the souls of those two adventurers took upon
themselves the various emblems of that intense belief. The devout
worshipper takes on the qualities of his deity. They wore the entire
series of the old-world gods so potently that I perceived them, and
even objectified them by my senses. The present was their pre-natal
stage; to enter the past they were being born again.
But it was not Moleson’s semblance alone that took on this awful
change. Both faces, scaled to the measure of Egypt’s outstanding
quality of size, became in this little modern room distressingly
immense. Distorting mirrors can suggest no simile, for the symmetry of
proportion was not injured. I lost their human physiognomies. I saw
their thoughts, their feelings, their augmented, altered hearts, the
thing that Egypt put there while she stole their love from modern life.
There grew an awful stateliness upon them that was huge, mysterious,
and motionless as stone.
Public-domain text, read in full here on John Shaqi.
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