For Villaret lay huddled upon unstimulating slopes, the robe of gloomy
pine-woods sweeping down towards its poverty from bleak heights and
desolate gorges. The peasants were morose, ill-living folk. It was
a dark untaught corner in a range of otherwise fairy mountains, a
backwater the sun had neglected to clean out. Superstitions, Hendricks
remembered, of incredible kind still lingered there; a touch of the
sinister hovered about the composite mind of its inhabitants. The
Pasteur fought strenuously this blackness in their lives and thoughts;
in the village itself with more or less success--though even there
the drinking and habits of living were utterly unsweetened--but on
the heights, among the somewhat arid pastures, the mountain men
remained untamed, turbulent, even menacing. Hendricks knew this of
old, though he had never understood too well. But he remembered how
the English boys at _la cure_ were forbidden to climb in certain
directions, because the life in these scattered châlets was somehow
loose and violent. There was danger there, the danger, however, never
definitely stated. Those lonely ridges lay cursed beneath dark skies.
He remembered, too, the savage dogs, the difficulty of approach, the
aggressive attitude towards the plucky Pasteur’s visits to these remote
upland _pâturages_. They did not lie in his parish: Leysin made his
occasional visits as man and missionary; for extraordinary rumours,
Hendricks recalled, were rife, of some queer worship of their own these
lawless peasants kept alive in their distant, windy territory, planted
there first, the story had it, by some renegade priest whose name was
now forgotten.
Hendricks himself had no personal experiences. He had been too deeply
in love to trouble about outside things, however strange. But Marston’s
case had never quite left his memory--Marston, who climbed up by
unlawful ways, stayed away two whole days and nights, and came back
suddenly with his air of being broken, shattered, appallingly used up,
his face so lined and strained it seemed aged by twenty years, and yet
with a singular new life in him, so vehement, loud, and reckless, it
was like a kind of sober intoxication. He was packed off to England
before he could relate anything. But he had suffered shocks. His white,
passionate face, his boisterous new vigour, the way M. Leysin screened
his view of the heights as he put him personally into the Paris
train--almost as though he feared the boy would see the hills and make
another dash for them!--made up an unforgettable picture in the mind.
Public-domain text, read in full here on John Shaqi.
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