But my heart sank noticeably the moment the house came into view. The
long drive, lined with hostile monkey trees and formal wellingtonias
that were solemn and sedate, was mere extension of the miniature
approach to a thousand semi-detached suburban ‘residences’; and
the appearance of The Towers, as we turned the corner with a rush,
suggested a commonplace climax to a story that had begun interestingly,
almost thrillingly. A villa had escaped from the shadow of the Crystal
Palace, thumped its way down by night, grown suddenly monstrous in
a shower of rich rain, and settled itself insolently to stay. Ivy
climbed about the opulent red-brick walls, but climbed neatly and
with disfiguring effect, sham as on a prison or--the simile made me
smile--an orphan asylum. There was no hint of the comely roughness of
untidy ivy on a ruin. Clipped, trained and precise it was, as on a
brand-new protestant church. I swear there was not a bird’s nest nor
a single earwig in it anywhere. About the porch it was particularly
thick, smothering a seventeenth-century lamp with a contrast that was
quite horrible. Extensive glass-houses spread away on the farther side
of the house; the numerous towers to which the building owed its name
seemed made to hold school bells; and the window-sills, thick with
potted flowers, made me think of the desolate suburbs of Brighton
or Bexhill. In a commanding position upon the crest of a hill, it
overlooked miles of undulating, wooded country southwards to the Downs,
but behind it, to the north, thick banks of ilex, holly and privet
protected it from the cleaner and more stimulating winds. Hence, though
highly placed, it was shut in. Three years had passed since I last set
eyes upon it, but the unsightly memory I had retained was justified by
the reality. The place was deplorable.
Public-domain text, read in full here on John Shaqi.
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