EPISTLE TO DR ARBUTHNOT; OR, PROLOGUE TO THE SATIRES. SATIRES AND EPISTLES OF HORACE IMITATED. THE FIRST EPISTLE OF THE SECOND BOOK OF HORACE. TO AUGUSTUS.[142] THE SECOND EPISTLE OF THE SECOND BOOK OF HORACE. BOOK I. EPISTLE VII. � IMITATED IN THE MANNER OF DR SWIFT. BOOK II. SATIRE VI. THE FIRST PART IMITATED IN THE YEAR 1714, BY DR SWIFT; THE LATTER PART ADDED AFTERWARDS. BOOK IV. ODE I. TO VENUS. THE SATIRES OF DR JOHN DONNE, DEAN OF ST PAUL'S,[171] VERSIFIED. EPILOGUE[177] TO THE SATIRES. IN TWO DIALOGUES. (WRITTEN IN MDCCXXXVIII.) FOOTNOTES: THE POETICAL WORKS OF ALEXANDER POPE With Memoir, Critical Dissertation, and Explanatory Notes, By George Gilfillan VOL. II. M.DCCC.LVI. CONTENTS THE GENIUS AND POETRY OF POPE. MORAL ESSAYS. EPISTLE I.�TO SIR RICHARD TEMPLE, LORD COBHAM. OF THE KNOWLEDGE AND CHARACTERS OF MEN. EPISTLE III.[20]�TO ALLEN LORD BATHURST. OF THE USE OF RICHES. EPISTLE IV.�TO RICHARD BOYLE, EARL OF BURLINGTON. OF THE USE OF RICHES. EPISTLE V. TO MR ADDISON. OCCASIONED BY HIS DIALOGUES ON MEDALS.[54] TRANSLATIONS AND IMITATIONS. SAPPHO TO PHAON. FROM THE FIFTEENTH OF OVID'S EPISTLES. THE FABLE OF DRYOPE.[56] FROM THE NINTH BOOK OF OVID'S METAMORPHOSES. VERTUMNUS AND POMONA, FROM THE FOURTEENTH BOOK OF OVID'S METAMORPHOSES. THE FIRST BOOK OF STATIUS'S THEBAIS. TRANSLATED IN THE YEAR 1703. JANUARY AND MAY. FROM CHAUCER.[58] THE WIFE OF BATH, HER PROLOGUE. FROM CHAUCER. PROLOGUE AND EPILOGUES A PROLOGUE TO A PLAY FOR MR DENNIS'S BENEFIT, IN 1733, WHEN HE WAS OLD, BLIND, AND IN GREAT DISTRESS, A LITTLE BEFORE HIS DEATH. PROLOGUE TO MR ADDISON'S 'CATO.' PROLOGUE TO THOMSON'S 'SOPHONISBA.'[59] PROLOGUE, DESIGNED FOR MR D'URFEY'S LAST PLAY. PROLOGUE TO 'THE THREE HOURS AFTER MARRIAGE' EPILOGUE TO MR ROWE'S 'JANE SHORE.' DESIGNED FOR MRS OLDFIELD. MISCELLANIES THE BASSET-TABLE.[62] AN ECLOGUE. LINES ON RECEIVING FROM THE EIGHT HON. THE LADY FRANCES SHIRLEY[63] A STANDISH AND TWO PENS. VERBATIM FROM BOILEAU. UN JOUR DIT UN AUTEUR, ETC. ANSWER TO THE FOLLOWING QUESTION OF MRS HOWE. OCCASIONED BY SOME VERSES OF HIS GRACE THE DUKE OF BUCKINGHAM. MACER: A CHARACTER. SONG, BY A PERSON OF QUALITY, WRITTEN IN THE YEAR 1733. ON A CERTAIN LADY AT COURT. ON HIS GROTTO AT TWICKENHAM, COMPOSED OF MARBLES, SPARS, GEMS, ORES, AND MINERALS. ROXANA, OR THE DRAWING-ROOM. AN ECLOGUE. TO LADY MARY WORTLEY MONTAGUE. EXTEMPORANEOUS LINES ON A PORTRAIT OF LADY MARY WORTLEY MONTAGUE, PAINTED BY KNELLER. LINES SUNG BY DURASTANTI, WHEN SHE TOOK LEAVE OF THE ENGLISH STAGE. UPON THE DUKE OF MARLBOROUGH'S HOUSE AT WOODSTOCK. VERSES LEFT BY MR POPE. ON HIS LYING IN THE SAME BED WHICH WILMOT, THE CELEBRATED EARL OF ROCHESTER, SLEPT IN AT ADDERBURY, THEN BELONGING TO THE DUKE OF ARGYLL, JULY 9, 1739. THE CHALLENGE, A COURT BALLAD. TO THE TUNE OF 'TO ALL YOU LADIES NOW AT LAND.' THE THREE GENTLE SHEPHERDS. EPIGRAM, ENGRAVED ON THE COLLAR OF A DOG WHICH I GAVE TO HIS ROYAL HIGHNESS. THE TRANSLATOR. THE LOOKING-GLASS. ON MRS PULTENEY.[81]