It would probably be considered almost a heresy even to suggest that
the various styles of dress worn by Indian men are not really more
picturesque than many other styles. A street in an Eastern city, with
its throng of quaintly dressed people, is much more fascinating in
appearance than the sombre hues of an average London crowd in the
winter time. The rich colours and the sparkling jewels of an assembly
of Indian nobility attract the eye by their brilliance. But if you
separate the individuals who make up the crowd, and take their costume
into individual consideration, you are conscious of defects. The
glittering array of an Indian chief appears more adapted to feminine
needs than those of a king or noble. The _dhota_, which takes the
place of trousers amongst Hindus, is not really a particularly comely
garment, and its loose folds are not at all convenient for working
men, especially masons and carpenters, who have to climb about on
scaffolds.
The dresses of Indian women in general may safely be accepted as being
more picturesque and more convenient than the styles of female costume
prevalent in Europe. And the turban for the men, with its variety of
shape and colour, and its great practical utility as a protection from
the rays of the tropical sun, is without doubt the most artistic
covering for the head that the world produces. It is a sad pity that
the turban is being slowly but steadily ousted by the adoption of a
stupid little cloth cap, as ugly as it is useless.
How hopeless it would be to attempt to decide which is the national
dress out of any of those now worn in India, might be realised even in
England by a visit to a museum, such as the Indian Institute in
Oxford. There is there a most interesting collection of clay figures,
admirably modelled, and coloured and draped. They represent many of
the various types and dresses to be found in the country. These
figures are made in Poona City, and are absolutely correct. They do
not by any means include all the varieties of costume to be seen in
India. Nevertheless, if you were to mix them all up together, the
result would very fairly represent the motley throng which you might
see in the more crowded parts of Bombay City, to which place, as a
great sea-port, people come from all parts of India. If you were to
select a person out of the throng as wearing a dress suitable for
Christians to adopt, you would be told that that particular costume
denoted either the man's religion or his occupation, or both, and for
anyone else to wear it, except those of the same class as himself,
would create a false impression as to the wearer's identity. If you
were to suggest that the costume selected might be adopted as the
national dress for India, you would be assured that no one would
consent to wear it except the little group of people whose
distinctive garb it is.
Public-domain text, read in full here on John Shaqi.
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