For the more popular kind of music you must go to the native band,
which is the universal adjunct to every sort of entertainment, great
or small. The members of the band are unwearied in their exertions on
small drums and shrill pipes. The tune, which never seems to vary
whatever the occasion, consists of almost as few notes as the song of
an Indian bird, and it is played over and over again and no one grows
weary of it. Even the performers play it for the thousandth time with
almost as much enthusiasm as when they first began. When they have
played far into the night, and fall asleep from sheer exhaustion, they
wake up in the morning to begin again.
Though native instruments and the method of playing them does not
usually appeal to the English ear, except for condemnation, it must
also be said that Indians in general assert that they do not recognise
any particular beauty in English melodies; and the wealth of sound of
a full band, performing the composition of some great master, only
suggests to the Eastern mind a confused medley of meaningless noise.
At the weddings of wealthy men who wish to make a special display,
there sometimes appears what they call a "Europe" band, which consists
of Indian performers, dressed in cast-off uniforms and with Western
instruments, on which they play what are meant to be English popular
airs. But there is usually the old-fashioned band also in attendance,
and there is no question as to which band the guests really cared to
listen.
The truth appears to lie in the fact that the two nations are looking
for different effects in music. Europeans value the melody, and the
harmony which enriches it. Easterns care little for the melody,
dislike the harmony, but think everything of the time. It is the
unvaried repetition of the same meagre tune, repeated over and over
again with apparently wearisome monotony, which is the attractive
feature. And the amount of pleasure to be found in listening to any
musical exercise is proportionate to the skill of the performer in
beating out his even measure on drum, or pipe, with unwearied
pertinacity.
Public-domain text, read in full here on John Shaqi.
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