India : $b the pearl of Pearl RiverSouthworth, Emma Dorothy Eliza Nevitte
General
India : $b the pearl of Pearl River
Southworth, Emma Dorothy Eliza Nevitte
Louisiana -- Social life and customs -- 19th century -- Fiction; Man-woman relationships -- Fiction
When India became aware that all were waiting for her, she threw her
eyes over the assembly; and the aspiring heart of many a youth beat
faster when their beams lingered for an instant on him. But he for whom
she looked was nowhere to be seen. At last, a smile of scorn and
_self-scorn_ writhed swiftly athwart her lips, and her eyes suddenly
blazed as their light kindled upon the form of one who came in at the
farthest door. Quick as lightning flashed and fled the spasm of that
face, leaving it serene and smiling, as she arose and met the new-comer,
and said sweetly—
“My cousin Mark, will you honour me?”
And before the astonished man could bow, she had placed her hand in his,
and he found himself by her side, at the head of a set that instantly
formed around them.
India spoke and smiled with her usual charming ease, and danced with her
usual grace and dignity.
And after the dance was finished, and her partner had led her to her
seat, she detained him near her, toying with her fan or bouquet, talking
of a thousand nothings. She presented him to her husband; and Mark
Sutherland, of course, politely expressed himself pleased to form the
personal acquaintance of one with whose public life and services he had
been so long familiar, &c.
Throughout the long evening, India maintained a regnant self-control.
And Mark Sutherland wondered at the seeming inconsistency of her
conduct. He did not know, or he did not reflect, that in the first
instance of surprise, her _nerves_ had—so to speak—got the start of her
_will_, and so betrayed her; but that after once the will had regained
the ascendancy over the nerves, it was able to control them.
Not again that evening did Mark Sutherland find an opportunity to speak
with Rosalie. India detained him at her side, smiling, chatting, and in
her daring audacity carrying back their recollections into scenes and
times and places that suggested the parallel of taking lighted candles
among open casks of camphine or gunpowder. Her indifference was too well
attested to be genuine. But Mark Sutherland’s perfect calmness—real and
thorough, as hers was assumed and superficial—assisted her.
The drama of the evening was at last over. The company had departed, the
lights were out, and India found herself, for a few moments, alone in
her chamber. She had smiled, and glanced, and chatted, and charmed all
eyes and ears to the last. She had gained the privacy of her chamber—she
had angrily, then fiercely, rejected the services of her attendant, and
turned her from the room. And now, for the moment, she was alone and
free—the acting all was over—the mask might be laid aside—the miserable
victim of pride might seem the wretch she really was.
Public-domain text, read in full here on John Shaqi.
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