India : $b the pearl of Pearl RiverSouthworth, Emma Dorothy Eliza Nevitte
General
India : $b the pearl of Pearl River
Southworth, Emma Dorothy Eliza Nevitte
Louisiana -- Social life and customs -- 19th century -- Fiction; Man-woman relationships -- Fiction
Across the soft water, in rich contrast, lie hills, and groves, and
cotton-fields—the latter, one of the gayest features in southern
scenery. They are sometimes a mile square. They are planted in straight
rows, six feet apart; and the earth between them, of a rich Spanish-red
colour, is kept entirely clean from weeds. The plants grow to the height
of seven feet, and spread in full-leaved branches, bearing brilliant
white and gold-hued flowers. When in full bloom, a cotton-field by
itself is a gorgeous landscape. Beyond these hills, and groves, and
cotton fields, are other cotton-fields, and groves, and hills, extending
on and on, until afar off they blend with the horizon, in soft,
indistinct hues, mingled together like the tints of the clouds.
I have led you through the beautiful grounds immediately around and in
front of the villa; but behind the mansion, and back of the grove, there
are gardens and orchards, and still other fields of cotton and
outhouses, and offices, and the negro village called “The Quarters.”
CHAPTER III.
THE PLANTER’S DAUGHTER.
She has halls and she has vassals, and the resonant steam eagles
Follow fast on the directing of her floating dove-like hand,
With a thunderous vapour trailing underneath the starry vigils,
So to mark upon the blasted heavens the measure of her lands.
_Mrs. Browning._
The summer sun had just sunk below the horizon, leaving all the heavens
suffused with a pale golden and roseate light, that falls softly on the
semi-transparent waters of the Pearl, flowing serenely on between its
banks of undulating hills and dales, and green and purple lights and
glooms. No jarring sight or sound breaks the voluptuous stillness of the
scene and hour. The golden light has faded from the windows and
balconies of the villa, and sunk with the sunken sun. An evening breeze
is rising from the distant pine woods, that will soon tempt the inmates
forth to enjoy its exhilarating and salubrious freshness and fragrance.
But as yet all is quiet about the mansion.
In the innermost sanctuary of that house reposes Miss Sutherland. It is
the most elegant of a sumptuous suit of apartments, upon which Mr.
Sutherland had spared no amount of care or expense—having summoned from
New Orleans a French _artiste_, of distinguished genius in his
profession, to superintend their interior architecture, furnishing and
adornment.
The suit consists of a boudoir, two drawing-rooms, a hall or picture
gallery, a music room, a double parlour, a library, and dining and
breakfast rooms; and, by the machinery of grooved doors, all these
splendid apartments may be thrown into one magnificent saloon.
But the most finished and perfect of the suite is the luxurious boudoir
of India. It is a very bower of beauty and love, a _chef d’œuvre_ of
artistic genius, a casket worthy to enshrine the Pearl of Pearl River.
Public-domain text, read in full here on John Shaqi.
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