Firishta described Ahmedabad as, in his day, "the handsomest city in Hindustan and perhaps in the world," and very few Indian cities contain so many beautiful buildings as those with which Ahmedabad was endowed in the course of a few decades by its Ahmed Shahi rulers. No one can fail to admire the wealth of ornamentation and the exquisite workmanship lavished upon them, though they are not by any means the noblest monuments of Mahomedan architecture in India. In fact--and herein lies their peculiar interest--they are Hindu rather than Mahomedan in spirit. For they were built by architects of the Jaina school, who were just as ready to work for their Moslem rulers as they had been to work in earlier times for their Hindu rajas. By the mere force of a civilisation in many ways superior to that of their conquerors, these builders imposed upon them, even in the very mosques which they built for them, many of the most characteristic features of Hindu architecture. To obtain, for instance, in a mosque the greater elevation required by the Mahomedans, to whom the dim twilight of a Hindu shrine is repugnant, they began by merely superimposing the shafts of two pillars, joining them together with blocks to connect the base of the upper with the capital of the lower shaft; and this feature in a less crude shape was permanently retained in the Indo-Mahomedan architecture of Gujerat. Nowhere better than at Ahmedabad can the various stages be followed through which this adaptation of a purely Hindu style to Mahomedan purposes has passed. It was at first somewhat violent and clumsy. The earliest mosque in Ahmedabad, that of Ahmed Shah, is practically a Hindu temple with a Mahomedan facade, and the figures of animals and of idols can still be traced on the interior pillars. The octagonal tomb of Ganj Bakhsh, the spiritual guide of Ahmed Shah, just outside the city at Sarkhij, marks an immense stride, and the adjoining mosque, of which all the pillars have the Hindu bracket capitals and all the domes are built on traditional Hindu lines, retains nevertheless its Mahomedan character. Still more wonderful is the blend achieved in the mosque and tomb of Ranee Sepree, the consort of Mahmud Bigarah, who was perhaps the most magnificent of the Mahomedan kings of Gujerat. It was completed in 1514, just a hundred years after the foundation of the Ahmed Shahi dynasty, and it shows the distance travelled in the course of one century towards something like a fusion of Hindu and Mahomedan ideals in the domain at least of architecture.