India Through the Ages: A Popular and Picturesque History of HindustanSteel, Flora Annie Webster
History
India Through the Ages: A Popular and Picturesque History of Hindustan
Steel, Flora Annie Webster
India -- History
Losing her, she is sent for to the gambling saloon. She refuses to
come. Finally, dragged thither by force, she pleads that Yudishthira,
having first gambled away himself, was a slave, and so had no right to
stake a free woman. Then ensues a scene of conflicting passions and
protest which, once read of, lingers in the mind, rising superior to
the certain disagreeable details which undoubtedly disfigure it in the
original.
So the story sweeps on and on, ending really with Bhishma's death on
the field of battle after a final encounter in which Arjûna, realising
that victory is unattainable so long as "the Grandsire" lives, uses
Chikandîn, the man-woman, as his shield, and so brings about the
defeat of the otherwise invincible Bhishma. The latter, "lying on his
bed of arrows," surrounded by all the princes, then proceeds to
discourse for long days ("until the sun, entering its northern
declension, permitted him to resign his life-breath") on the whole
duty of mankind, and especially on the duties of kingship.
These discourses, which in the English translation run to over 2000
pages, are marvellously illuminating. When we read in them doctrines
of kingly science which long centuries later were to be re-enunciated
by Machiavelli, when we find in them many a theory of modern science
forestalled by some bold, theoretical plunge into the Infinite, that
Infinite to which "it is impossible to set limits since it is
limitless," we may well pause to ask ourselves how much nearer we are
to discovering the Great Secret than those were who, nearly three
thousand years ago, puzzled themselves over the problem of
consciousness, and why, "when the mind is otherwise engaged, the
life-agent in the body heareth not."
Have we, even in science, gone much further than the assertion that
"Space, which even the Gods cannot measure, is full of blazing and
self-luminous worlds?"
Perhaps we have; but of a certainty we cannot outclass the Mâhâbhârata
in the imagination with which it treats the Insoluble.
"In the Beginning," we read, "was infinite Space motionless,
immoveable. Without Sun, Moon, or Stars, it seemed to be asleep. Then
a darkness grew within the darkness, and water sprang to life."
So, gaining force as it goes like some giant wave, the vast epic
sweeps on, gathering worthless pebbles and hopeless wreckage, with its
thousand facets of bright bold sea, to leave us, after it has crashed
over us, bewildered, storm-shaken on the shore, our heads whirling
with wild memories of flashing, jewel-set cuirasses, "beautiful like
the firmament of night bespangled with stars," of floating veils "like
wind-tossed clouds," of celestial voices, "deep as the kettledrums of
the skies," of "sparkling showers of keen arrows like the rays of the
sun," of "tender, small-waisted maidens," and "mighty, high-souled
car-warriors."
Public-domain text, read in full here on John Shaqi.
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