Winona's wooing is a typical one. As with any other people, love-making
is more or less in vogue at all times of the year, but more especially
at midsummer, during the characteristic reunions and festivities of
that season. The young men go about usually in pairs, and the maidens
do likewise. They may meet by chance at any time of day, in the woods
or at the spring, but oftenest seek to do so after dark, just outside
the teepee. The girl has her companion, and he has his, for the sake of
propriety or protection. The conversation is carried on in a whisper,
so that even these chaperons do not hear.
At the sound of the drum on summer evenings, dances are begun within
the circular rows of teepees, but without the circle the young men
promenade in pairs. Each provides himself with the plaintive flute and
plays the simple cadences of his people, while his person is completely
covered with his fine robe, so that he cannot be recognized by the
passer-by. At every pause in the melody he gives his yodel-like
love-call, to which the girls respond with their musical, sing-song
laughter.
Matosapa has improved every opportunity, until Winona has at last shyly
admitted her willingness to listen. For a whole year he has been
compelled at intervals to repeat the story of his love. Through the
autumn hunting of the buffalo and the long, cold winter he often
presents her kinsfolk with his game.
At the next midsummer the parents on both sides are made acquainted
with the betrothal, and they at once begin preparations for the coming
wedding. Provisions and delicacies of all kinds are laid aside for a
feast. Matosapa's sisters and his girl cousins are told of the
approaching event, and they too prepare for it, since it is their duty
to dress or adorn the bride with garments made by their own hands.
The bride is ceremoniously delivered to her husband's people, together
with presents of rich clothing, collected from all her clan, which she
afterward distributes among her new relations. Winona is carried in a
travois handsomely decorated, and is received with equal ceremony.
III
A MIDSUMMER FEAST
The Wahpetonwan village on the banks of the Minnesota river was alive
with the newly-arrived guests and the preparations for the coming
event. Meat of wild game had been put away with much care during the
previous fall in anticipation of this feast. There was wild rice and
the choicest of dried venison that had been kept all winter, as well as
freshly dug turnips, ripe berries and an abundance of fresh meat.
Along the edge of the woods the teepees were pitched in groups or
semi-circles, each band distinct from the others. The teepee of Mankato
or Blue Earth was pitched in a conspicuous spot. Just over the entrance
was painted in red and yellow a picture of a pipe, and directly
opposite this the rising sun. The painting was symbolic of welcome and
good will to men under the bright sun.
Public-domain text, read in full here on John Shaqi.
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